There’s never been stranger urban fantasy than with “A Dead End Job” presented by Parliament House Press. Buck was just a lowlife Hitman trying to make his way through this miserable world when the gun was flipped on him. Now he’s interning for the Grim Reaper in an attempt to dodge eternal damnation. His new job entails taking out “Unmentionables,” those who cheat death. The only problem? When you know how to dodge your final demise it’s usually because you have a few tricks up your sleeve. Poor Buck.
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Tag Archives: short stories
Preorder Today: “A DEAD END JOB” Punch in for the Night Shift
“The hardest thing about a job isn’t the killing. It’s the freaking planning. Tailing your mark’s whereabouts is expensive on a hit man’s pockets. Especially in Chicago. Oh well. Should’ve stayed in school I guess.”
-Buck, Death’s Intern
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Meet Dothur of A DEAD END JOB
Let me tell you what I love about Parliament House. They go the distance to ensure this book is perfect in every way…including ensuring our villains (or perhaps antiheroes) are fleshed out just right. We are in the late stages of publication for “A Dead End Job.” Still, there’s a long way to go. From a second round of line edits to content reviews, we are working hard to get you this book. So please, preorder today. Every preordered book helps with Amazon marketing tiers, sales strategies and other presale details.
2021 Justin Alcala Schedule Released
Well, there’s always a silver lining to any adversity, and 2020 was no different. While it’s globally unanimous that 2020 was like skidding down a razor bladed playground slide, there were some benefits. Beyond the zenith of all joys, the birth of my son, Ronan, I could also get a lot of writing projects ready for their 2021 debut. So, strap on your helmet, squeeze into your short shorts, and grease those rollerblades, because we’re skating through 2021 with conviction. Here’s a look at the Justin Alcala schedule for the upcoming year.
JANUARY 2021
- Final edits for “A Dead End Job” were put together by Parliament House Press and myself
- Production Meetings began for the future graphic novel, “Apollyon” with talented producers/creators James Rock and Alex Gomez
- “Taming of the Cthulhu” 1st proof reaches 30,000 words.
- “A Dead End Job” cover artist completes project for acceptance
FEBRUARY 2021
- “A Dead End Job” cover reveal on February 25th
- “Magic of Motivational Quotes” by Wingless Dreamer publishing is released, featuring a Justin Alcala excerpt
- Cover reveal for the new anthology, “Citizen Survivors: The Red Book” released by BLK DOG Publishing. This historical fiction piece about the world had Nazi Germany been victorious features a short story by Justin Alcala titled “The Entrepreneur”
MARCH 2021
- Proofreading for the Middle Grade book, “The Last Stop” begins. This young reader horror story follows seventh grader, Morrigan, and her little brother, Asher, as they explore the frightful history of their new town, and the connection with their eerie new bus driver.
- “Taming of the Cthulhu” manuscript should reach the halfway point for creation
- Two new short stories will begin for Halloween distribution
- “Citizen Survivors: The Red Book” hits shelves
APRIL 2021
- “The Last Stop” will sent off to agents and publishers
- Short Horror Stories “A Horse for Us All” and “Buried in the Rain” hit anthology and literary magazine shelves
- Finishing touches for the first proof of “Taming of the Cthulhu” complete and sent out to editors
MAY 2021
- “The Last Stop” proposed to agents and publishers
- “Apollyon” finishes proofreads and illustrators begin early sketches
JUNE 2021
- Early reviewers get their “looking-balls” on “A Dead End Job”
- Interviews on podcasts, radio stations and literary journals for the premiere of “A Dead End Job”
JULY 2021
- Early announcement about “The Last Stop” publication
- Short Horror Story Projects Cut Off for Submission
- We will take part in the “2021 Charity Drive for the Extra Life for Kids” program
AUGUST 2021
- We will start the countdown for “A Dead End Job” with great giveaways, including e-books, t-shirts and other great
SEPTEMBER 2021
- “The Last Stop” continued publication announcements
- “Taming of the Cthulhu” hits submission phase
- “A Dead End Job” preorders completed
OCTOBER 2021
- “A Dead End Job” released (Woo hoo!). Parliament House PRess will release physical copies and ebooks starting October 5th, 2021.
- Podcast interviews to continue in promotion of Parliament House Press in conjunction with “A Dead End Job”
- Halloween Short Stories hit publication
NOVEMBER 2021
- “The Last Stop” begins editorial phase with new publisher
- “Taming of the Cthulhu” early publication announcements
- Justin Alcala short story and novel contest results announced
DECEMBER 2021
- Christmas Giveaways for “A Dead End Job” gifted for select readers
- “Apollyon” publication announcement updates
Preorder “A Dead End Job” Today and Dive Into the Absurd
One of my favorite parts of “A Dead End Job” was taking a classically ominous figure like Death and making him into a funny, likable guy. Early readers seem to love it too. Preorder “A Dead End Job” on Amazon today to guarantee your copy. It’s a wild ride through the absurd.
Death needs a vacation. Badly. But there’s a catch: There are certain people who just seem to cheat the system, always falling through the cracks and not ending up dead like they’re supposed to—who’s going to take care of them while he’s out?
The answer is simple. He needs an intern. So, with the help of his I.T. guy, Jumbo, he starts scanning through a list of potential candidates.
It doesn’t take a rocket scientist to realize that one prospect—Buck Palasinksi, a bankrupt hitman with a roleplaying addiction—could have what it takes. After he’s drilled in the forehead by a bullet while scoping out his next target, he falls right into Death and Jumbo’s laps.
If they shove him back into his body, he’ll have a few weeks to prove that he has what it takes to be Death’s right-hand man…That is, if he can take out Public Enemy Number one, John Dillinger, while he’s got a werewolf sidekick and tries to quit smoking.
A Dead End Job https://www.amazon.com/dp/B08LQXMY5C/ref=cm_sw_r_cp_api_glc_D-E6FbZQJ0SMQ
Get Your Free Cooy
Get your FREE Amazon Kindle copy today through Saturday, October 10th. Join Ned, his miniature hellhounds, nerd-minions, and book-witch girlfriend, Chelsea, as they try to save Chicago from the corporate warlock. Hilarious, fun and supernatural adventure just in time for Halloween.
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“It Snows Here” Available in the new Power Loss Anthology
The day the lights went out is remembered as Day Zero.
It wasn’t just the lights, it was the phones, the computers and just about everything else that makes modern society what it is.
Power Loss tells the story of eight individuals, by eight different authors, each trying to come to terms with the black out and survive in a world that has changed forever.
“Power Loss” is a BLK Dog Publishing Anthology with my short story, “It Snows Here.” Check out all of the talented authors April 21st, 2020.
“The Dilemma of Old Furnaces” To be Added to University of British Columbia Archives
Delighted, ecstatic, thrilled- I can’t say it enough how happy I am to have a short story of mine, “The Dilemma of Old Furnaces,” published in “cIRcle,” a digital library for research, theses and dissertations at the University of British Columbia. Check out this future work and others at the link below.
https://www.justincalcala.com/theplentydreadfulseries
When Eden, a handicapped boy with a brain that’s as sharp as his insecurities, goes to his offbeat Grandmother Irena’s cottage one frigid winter morning, he begrudgingly thinks back to all the tall tales she once told him about fairies and monsters. However, as revisits her old home, Eden looks back on all the adventures the pair used to enjoy, and wonders if he’s being too hard on his strange but loving Grandmother Irena. Then a dragon tries to eat Grandmother Irena’s cat, and the only one that can stop it is Eden.
Hotdogs, Marshmallows and Dread
Ah, summer, a time when we leave the safety of our cozy homes to brave the great outdoors. We trek near and far to hike, fish and be eaten alive by mosquitos. Then, at night, when our muscles ache, we fill our bellies with hotdogs and marshmallows as we cozy up by the campfire. There’s an anticipation that grows as the moon paints the woods pearl. It’s a readiness so salient, that even the trees inch closer in order to listen. That’s right, it’s time for you to tell a scary campfire tale.
Now that you have everyone’s attention, it’s imperative that you tell the most captivating tale you can muster. It needs to be intoxicating, frightening and use the raw power of your surroundings to horrify listeners’ bone. While some storytellers like to shoot from the hip, a good raconteur knows that a little preparation can help shake your audience to the core. So, before you gather around the fire this summer, let’s go over the fundamentals of what makes the perfect campfire tale. Follow these suggestions and at the end of your eerie story, the audience will be far too reluctant to sleep, but much too terrified to ask for an encore.
So first thing is first, let’s find a medium that matches the landscape. This is dealer’s choice. You can research local lore or make up your own. The most important detail is to find a subject that makes sense for your strongest ally, the wild backdrop. Don’t challenge the listener’s imagination with stretches. If you’re having a backyard outing, you may want to stay away from Bigfoot. If you’re camping in the desert, the ghoul living in an apartment basement may not be as scary as the witch of the barren wasteland. Your real life setting is your best friend, and will build tension before the story even starts.
Next, let’s figure out an ending before we build the framework. Unlike traditional stories, a campfire tale’s success lives and dies with the last five sentences. It needs to be something that causes the listener (or reader) to walk away thinking, “Oh man, I could be next.” The scariest campfire tales make the listener part of your story, a continuance long after the words have left your mouth. So, as a rule of thumb, build this first and never let the conclusion make people feel safe. You want the antagonist to still be lurking, the curse to still exist or the survivors to have lost something dear. This is a scary story, your mission is horror.
Now that we’ve decided that we’ll end with the axe wielding convict still on the loose, we can take it from the top and begin our narrative arc. The opening should draw people in with local color. Listeners will be on the defensive, so let the scenery twist and betray them in order to crack their shells. Each line needs to leave your listeners looking over their shoulder or curling closer together. Some ways to build trust while suffocating your campers’ security includes lines that make them feel as if you, the storyteller, are on their side. Here’s a few examples…
“I read about this before we came here. Feel free to look it up later tonight.”
“I almost didn’t want to tell this story because it’s going to make me scared too, but according to the placard I read when we first entered the park, this place has a dark past.”
See what these lines do? They take a doubter and start breaking down their defenses. If you can add real lore or historic details to the story, all the better. Just don’t let them do any research until they zip up their tent. You can let them play fact checker after the fear has already took hold.
We also need protagonists. It helps if your characters are relatable. Are you chaperoning a girl scout outing? Well, isn’t that funny because the last troupe, Pack 113, came to these woods for their wilderness badge. Try to lean away from characters that are too in depth. You don’t want interest to satellite around the support characters as much as their conflict. As a rule of thumb, give each support character a one or two sentence description of who they are. If you’re narrating, it doesn’t hurt to give people distinct voices, accents or phrases in order to portray them later.
Now that we decided on a backdrop that closely matches your own, built a strong opening, have believable characters and know the ending, it’s time for rising action. Typically, you don’t want the route to be direct. Anticipation and mystery are your mediums. Let the dread leak in a drop at a time. First, the characters hear a few snapping twigs or a coyote yelp. The proof of something frightening or supernatural should slowly gather into the story arc until the weight can’t hold up. Fear of the unknown is the most potent terror there is. That’s when you strike with the climax.
Some of the best climaxes and falling actions are those that leave the audience guessing. It’s a powerful thing to let the listeners come to their own conclusions. After all, no one knows how to scare a person better than themselves. You’re just coloring their imaginations in with creepy details. Fading to black or announcing that no one knows what happened to the victims is ideal. However, if you want to describe the exact details, I’d advise not clinging to the gory as much as the story. Did the last survivors almost make it or did the ghost change the protagonist in a way that’s nearly ineffable? Whatever you decide, be sure that it bridges to the ending you decide on in the beginning. If your last lines aren’t moving, the story may sink. Listeners need to walk away disturbed.
Finally, leave them while they want you to stay. Once you’ve delivered those final lines, don’t indulge the audience with curious questions. They’re trying to reestablish security. Instead, a creepy smirk or telling them you’ll elaborate in the morning should they still be curious will suffice. Try to hand the torch to someone else once you’re done or time it to where it’s time to go to bed. You want your words to reverberate, being told in the back of their minds a hundred more times before they fall asleep.
And there you have it. These suggestions are meant to be tools, invitations to build a terrifying campfire tale. Ultimately, you’re the best measuring tool to deliver a great scare. Remember, even if you mess up a detail or your gathering aren’t convinced, you’ve still done a fantastic job making the backyard bonfire or backpacking trip even better. After all, we make up scary campfire tales in order to remind ourselves of how wondrous nature really can be, from its beauty to its horror.
Have suggestions? I’d love to hear them. Please feel free to share your techniques in order to tell the perfect campfire tale.
Crimson Street Magazine Contracts Short Horror Story “It Dances Now” By Justin Alcala
When Cecil Gibbs’s mind shatters during the American Civil War, he becomes a battlefield horror. The man slips through the shadows, carving the wounded like art as the war’s first serial killer. However, once word of Cecil’s atrocities hits the ears of Union command, they send in a Pinkerton by the name of Oliver Lamb to investigate. Through his perilous tracking of Cecil, Oliver learns that Cecil might not be alone. Witnesses have glimpsed a shadowy figure dancing along Cecil’s side, whispering instructions to the broken surgeon as he continues his onslaught.
“It Dances Now” is a short horror story contracted by Crimson Street Magazine. It hit shelves in late summer of 2019.
