That’s right! ManyBooks.net has given me the prestigious honor of being the Halloween “ManyBooks: Author of the Day.” Check out the link in my bio come 10.31 to read my upcoming interview, talk about A DEAD END JOB, and other literature fun!
“Lilith, my oldest work-friend since… well, friends became a thing. Unmentionables weren’t around when dinosaurs and other eat-poop-then-die creatures were on Earth. It’s only when sentience became all the rage that God cut off her finger and gave it to me as Lilith, divine retribution for anyone bold enough to manipulate the cosmic work schedule. Since then, Lilith has, and always will be, the most dangerous weapon in existence. While I used her special holy abracadabra to transform Lilith into a scythe, she adjusts to the user’s character in order to be the best possible work tool. So if you want to be my next intern, and you’re comfortable getting my dry-cleaning, let’s first see what’s in that mushy pink wetware between your ears. It’s a sorting hat sort of thing, only with irremediable, world ending consequences.”
Big WOW! Publisher’s Weekly just named “A DEAD END JOB” BEST BOOKS this week along w/ a generous review. I couldn’t be more honored. Check out the link in my bio and don’t forget to preorder your copy.
Sorry for interrupting your cult meeting. I know you’re all trying to attain eternal life and all. Now, you’re going to kill me, but uh, I’m actually here to eliminate you all on behalf of the Grim Reaper. Isn’t that neat? Also, let me correct myself. You’re gonna try to kill me…and it’s going to go poorly for you.” -Buck Palasinski, Intern for Death
“A DEAD END JOB” hits pages OCTOBER 6th, 2021. Preorder today at a discounted rate on Amazon and Barnes & Noble.
“What a lame day to die. It was Friday, possibly the best time of the week for any seventh grader, it was ruined. People should die on Mondays. That sounds right.”
-Morrigan, The Last Stop
Morrigan’s family needs out of the city. So they move to suburbia where her special needs brother, Asher, is closer to his treatments. Life in a little town though isn’t what it’s cracked up to be and soon Morrigan grows tired of discourteous classmates, quiet streets and strange neighbors. What’s worse, she and her tag along brother are the last ones dropped off every day on the school bus, dragging out her drab existence. The none day a new bus arrives and Morrigan’s life gets deader than she could have ever imagined.
There’s never been stranger urban fantasy than with “A Dead End Job” presented by Parliament House Press. Buck was just a lowlife Hitman trying to make his way through this miserable world when the gun was flipped on him. Now he’s interning for the Grim Reaper in an attempt to dodge eternal damnation. His new job entails taking out “Unmentionables,” those who cheat death. The only problem? When you know how to dodge your final demise it’s usually because you have a few tricks up your sleeve. Poor Buck.
PREORDER “A DEAD END JOB” on #amazonbooks #barnesandnoble and #kobobooks or wherever great books are sold.
“The hardest thing about a job isn’t the killing. It’s the freaking planning. Tailing your mark’s whereabouts is expensive on a hit man’s pockets. Especially in Chicago. Oh well. Should’ve stayed in school I guess.”
-Buck, Death’s Intern
PREORDER “A DEAD END JOB” on AMAZON, B&N OR KOBO TODAY!
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Let me tell you what I love about Parliament House. They go the distance to ensure this book is perfect in every way…including ensuring our villains (or perhaps antiheroes) are fleshed out just right. We are in the late stages of publication for “A Dead End Job.” Still, there’s a long way to go. From a second round of line edits to content reviews, we are working hard to get you this book. So please, preorder today. Every preordered book helps with Amazon marketing tiers, sales strategies and other presale details.
You hear it all the time. Goodbye 2020. What a year. Can’t wait for 2021. We yearn to move on. We ache for a better tomorrow. And in the literary world, the uncertainty from the last twelve months drives a similar desire.
According to Guardian journalist, Alex Clark, 2020 was a mixed year for the publishing life. While bookshops closed, literary festivals cancelled and hardback sales shrunk, digital books surged in the face of the pandemic. Lockdowns and work-from-home environments gave readers more time for books. Racism, COVID-19 and a divided nation drove authors to their keyboards, congesting the market. As a result, many established writers, such as novelist and screenwriter David Nicholls, are bowing out, focusing on other projects.
But is stepping down the answer? Is it time for career writers to walk away in the face of a flooded environment? Unless you’re well established, even the best rising stars in the literary world will face a noisy market. Getting your voice heard and your book in front of an audience will be more difficult than ever. Should budding authors, columnists and screenwriters retire?
The answer is a simple sentence word. No. Writers run a parallel struggle with the rest of the world. Confusion, mistrust and disorientation fog the future. There are new hurdles. But one thing is for certain in these turbulent times. They will change. In the words of C.S. Lewis, “There are far better things ahead than any we leave behind.”
The fingerprint of the literary world will never be the same. Digital books, who were already on the rise, have clinched a large part of reading retail. Bookstores and libraries will need to change the way they do business, focusing on alternative ways to sell physical copies. Top tier publishers will have to be more selective on how they sift through thousands of authors, and independent writers will need to get creative with getting books in readers’ hands. What doesn’t change though is a writer’s desire to create.
Storytellers are storytellers. Journalists need to report. Artists can’t cease the call for expression. Fresh stories, no matter what the temperature of the market, need writing. An author shouldn’t ever compromise their work because of business complications. Once the book is ready, then one can worry about market strategies, sales profits, and whether they need to find other ways to help establish income. It won’t be easy, but there’s no wisdom in trying to take the fire from a dragon.
We may want to move on from the past. The future may be confusing. But in the literary world, one thing is for certain. Readers need books. There will always be a desire to read insightful columns, inspiring stories, and other forms of written art. Authors are going to need to think of novel ways to get their work into readers’ hands, but it can never deny the call to write.