“What a lame day to die. It was Friday, possibly the best time of the week for any seventh grader, it was ruined. People should die on Mondays. That sounds right.”
-Morrigan, The Last Stop
Morrigan’s family needs out of the city. So they move to suburbia where her special needs brother, Asher, is closer to his treatments. Life in a little town though isn’t what it’s cracked up to be and soon Morrigan grows tired of discourteous classmates, quiet streets and strange neighbors. What’s worse, she and her tag along brother are the last ones dropped off every day on the school bus, dragging out her drab existence. The none day a new bus arrives and Morrigan’s life gets deader than she could have ever imagined.
There’s never been stranger urban fantasy than with “A Dead End Job” presented by Parliament House Press. Buck was just a lowlife Hitman trying to make his way through this miserable world when the gun was flipped on him. Now he’s interning for the Grim Reaper in an attempt to dodge eternal damnation. His new job entails taking out “Unmentionables,” those who cheat death. The only problem? When you know how to dodge your final demise it’s usually because you have a few tricks up your sleeve. Poor Buck. PREORDER “A DEAD END JOB” on #amazonbooks #barnesandnoble and #kobobooks or wherever great books are sold.
“The hardest thing about a job isn’t the killing. It’s the freaking planning. Tailing your mark’s whereabouts is expensive on a hit man’s pockets. Especially in Chicago. Oh well. Should’ve stayed in school I guess.” -Buck, Death’s Intern
PREORDER “A DEAD END JOB” on AMAZON, B&N OR KOBO TODAY!
One of my favorite parts of “A Dead End Job” was taking a classically ominous figure like Death and making him into a funny, likable guy. Early readers seem to love it too. Preorder “A Dead End Job” on Amazon today to guarantee your copy. It’s a wild ride through the absurd.
Death needs a vacation. Badly. But there’s a catch: There are certain people who just seem to cheat the system, always falling through the cracks and not ending up dead like they’re supposed to—who’s going to take care of them while he’s out?
The answer is simple. He needs an intern. So, with the help of his I.T. guy, Jumbo, he starts scanning through a list of potential candidates.
It doesn’t take a rocket scientist to realize that one prospect—Buck Palasinksi, a bankrupt hitman with a roleplaying addiction—could have what it takes. After he’s drilled in the forehead by a bullet while scoping out his next target, he falls right into Death and Jumbo’s laps.
If they shove him back into his body, he’ll have a few weeks to prove that he has what it takes to be Death’s right-hand man…That is, if he can take out Public Enemy Number one, John Dillinger, while he’s got a werewolf sidekick and tries to quit smoking.
Get your FREE Amazon Kindle copy today through Saturday, October 10th. Join Ned, his miniature hellhounds, nerd-minions, and book-witch girlfriend, Chelsea, as they try to save Chicago from the corporate warlock. Hilarious, fun and supernatural adventure just in time for Halloween.
Oh the magic of books. What would life be without them? More importantly, where would we be without their authors? We take for granted all of the dreamed up stories on our bookshelves and iPads. We forget about all of the work, love and struggles that goes into each word.
Today on the Justin Alcala blog, I’m excited to interview Solstice Publishing author, Henry Anderson. Henry Anderson is a former news reporter who has written for national UK newspapers. He spent time as a farmhand in Australia before working in publishing and journalism. His current novels, “Cape Misfortune” and “The Mouth” are fantastic tales available on amazon. But before you pick them up, let’s learn a little bit about the man behind the stories. Let’s learn about the talented Henry Anderson.
Thanks for joining us Henry. I wanted to start out by asking about the great journeys you’ve taken to get where you are. What literary pilgrimages have you gone on?
I suppose in the old days pilgrimages involved seeing sacred relics like a piece of a saint’s finger. It made things seem much more real. Similarly an artefact like a book or the page of a handwritten manuscript makes the writer seem less remote. Seeing Shakespeare’s birthplace was amazing. I was lucky enough to study at the same college at Oxford University as Oscar Wilde. I visited his grave in Paris. We used to wear green carnations in his honour on exam days.
What are common traps for aspiring writers?
Take a step back and think about whether other people will find your writing relevant or important!
What is your writing Kryptonite?
Self-doubt is the enemy of most art. On a bad day the words look terrible.
If you could tell your younger writing self anything, what would it be?
You have the ability to get something published. Stop procrastinating and get on with it.
What was an early experience where you learned that language had power?
I wrote a play once and stood at the back of the audience on the nights it was performed. It was incredible to watch people being so involved with the story.
What do you owe the real people upon whom you base your characters?
Nothing, unless you are writing autobiography. I suppose if you admire someone you might try and do justice to them. If you feel someone has mistreated you there is always the villain.
How many unpublished and half-finished books do you have?
I have a screenplay, several short stories and two unfinished novels kicking about. I hope to return to them one day.
What did you edit out of this book?”
Anything that didn’t advance the story. I find if I stray off the path, description or dialogue loses meaning or relevance.
Do you hide any secrets in your books that only a few people will find?
I suffer from a chronic illness called myalgic encephalomyelitis. There are a few hidden references to that. They don’t make any difference to the story but they add a bit of depth for me. I suppose the trick is not to be too self-indulgent.
What was your hardest scene to write?
There is a scene in the book where the characters are travelling astrally, out of the body, over the Pacific. That was difficult. It was the first part of the story that was out-and-out fantasy. There is a devil sitting on my shoulder that is scornful about straying from realism. It’s now one of my favourite scenes.
Henry, what advice do you have for unpublished writers?
The Internet has changed the literary landscape. There is less stigma about self-publishing now. I haven’t self-published yet but would do so in the future rather than hang on to a manuscript for years. You have to roll with the punches and move on.
Henry, thanks so much for joining us on the blog. You can learn more about Henry on his website. All links are provided below. And please be sure to pick up Henry’s latest novel, “Cape Misfortune” available on amazon.
“Welcome to beautiful Cape Misfortune. Come for the rugged coastline and unspoiled beaches. Stay for the quaint customs and friendly welcome.”
Just don’t ask about the people who are going missing.
When Cecil Gibbs’s mind shatters during the American Civil War, he becomes a battlefield horror. The man slips through the shadows, carving the wounded like art as the war’s first serial killer. However, once word of Cecil’s atrocities hits the ears of Union command, they send in a Pinkerton by the name of Oliver Lamb to investigate. Through his perilous tracking of Cecil, Oliver learns that Cecil might not be alone. Witnesses have glimpsed a shadowy figure dancing along Cecil’s side, whispering instructions to the broken surgeon as he continues his onslaught.
“It Dances Now” is a short horror story contracted by Crimson Street Magazine. It hit shelves in late summer of 2019.
Umm…this is awesome. AllThingsThatMatterPress has officially contracted Dim Fairy Tales for publication. This will be my third novel, and second within the Plenty Dreadful Universe. I’m very proud to partner with AllThingsThatMatterPress, who has brought the world great books for over ten years. More to come!
People argue that we don’t change, but let’s face it, we do. We change in the small ways- what we choose to eat, our fashion sense, what we read. We change in the big ways- our approach to resolving problems, faith and how we perceive the world. It’s a never ending cycle. And, while our loud and stubborn habits tend to steal the spotlight, there are dozens of small and wonderful changes that happen to us daily.
The same can be said for writing. Countless authors’ styles, subjects and inspirations have leapt around like jackrabbits. Iain (M.) Banks moved from mainstream fiction to science fiction and back again. Ian Fleming transitioned from spy novels to classic children’s picture books. Some authors’ changes have even revolutionized literature. Hemingway modernized today’s approach to book description by emphasizing direct, unadorned prose while William Faulkner shook the Earth by transitioning classic suggestive introspection into a stream-of-consciousness approach that we see today.
There’s nothing wrong with changing your approach to writing. Novice writers tend to lean on lengthy descriptions, repeating adjectives and a heavy dose of those wicked adverbs. They confuse grammar and sentence structure, and are addicted to the all enticing commas when they don’t belong. It’s a rite of passage that takes numerous wags of the finger from a proofreader or editor to understand. One that when amended, can draw new insight on what your writing potential is.
But it’s not just genres, grammar and inspiration that we can change when writing. It’s our perspective as well. When I was young I called myself an aspiring writer. When I was published, I became an author. Now, after ten years of experience, I see myself as a story enthusiast. Our outlook and relationship with the writing world is what makes us who we are.
George Bernard Shaw once said, “Progress is impossible without change, and those who cannot change their minds cannot change anything.” This year, keep in mind that whether it seems like it or not, you are constantly in a state of change. You’ve worked very hard to get where you are, be it that first published poem, completed manuscript or contracted novel. You’re doing yourself a disservice by not keeping your author-mind open and your literary-heart honest. After all, it should be your writing aspirations that reflect your choices, not your fears.
Here it comes again, my favorite time of year. There’s a special place in my heart when the moon grows ominous, and the trees go naked. They’re signs of Autumn, and more importantly, they’re harbingers of Halloween. As for little old Justin Alcala, it means research for some of my darker projects. This year I’m cataloging some lesser known European and American folklore and tales. And how selfish it would be of me to not share them with you. So, until the children scream for Halloween, I’ll be sharing some of my favorite monsters and specters with you in order to lure you into the mood.
The Witch of Newark
“A witch should never be afraid of the darkest forest because she should be sure in her soul that the most terrifying thing in the forest was her.”-Terry Pratchett
Not every monster starts off as such. The Witch of Newark is a legend past down from generation to generation in both the New Jersey and New England area. As the tale goes, she was once just an ordinary Newark settler girl who’d come from Europe with her family. As time passed and the girl grew older, she turned away from God and began to deal in dark magic within the wilds. She then joined a witch’s cult where she fornicated with the devil. Though this gave her special powers, it also cursed her flesh. Her features contorted into a demon’s, and her skin became withered and old. It’s said that she uses powerful magics to disguise herself, though if you look at her from behind, you can make out her horrific form. She now wanders the forests of New Jersey and New England looking for victims. She tempts them with food, money and sexual favors. Those who fall for her ruse have their souls violently ripped from their bodies in order to sustain the Witch of Newark’s unnaturally long life.
But just because it’s a legend, doesn’t mean it doesn’t have any merit. Though the Witch of Newark’s folktale may be embellished, occultists and witch hunters have claimed to have evidence of the creature. Huts with dead animals and missing children are found every several years, and it’s said that these are the dwellings of the dark mistress. More over, the occasional survivor of her sin-offerings occasionally comes forth to confirm stories of a young woman who offered them silks and honey, only to transform into a deformed hag that tries to eat them. And although much of it can be construed as fear mongering for curious children who wish to play in the forest, it hasn’t stopped several witch hunters from looking into clues.