Tag Archives: books

You Get Three Wishes

Ask any best-selling author where they were before their first book became a New York Times bestseller or before their big million dollar publishing deal and their answer is the same. They were struggling. They were getting rejected. They were climbing the hill like everyone else. Most of these acclaimed authors will also admit that the struggle is part of the process. It’s a measure of development. It inspires the mind and soul. Just stick with it and the cream rises to the top. 

So if the struggle is just part of the development, then what can a budding or intermediate writer hope for? If the pain is part of the pleasure, what do writers need to continue towards their aspirations of creating that next great American Novel, winning that Pulitzer Prize or becoming one of the most respected authors of all time? Well, if you found a literary genie, and they gave out three wishes, here’s what they should be.  Writers need to be one with rejection, grow with their work and never lose the swagger. Confused? No worries. We will walk through it together. 

The first piece sounds simple enough. Be one with rejection. Don’t let the man get you down. Keep trudging along and not taking no for an answer. A writer needs to understand that most submission-rejections and uninterested replies stem from time tables, undisclosed publishing goals and reviewer preference. You could write a perfectly good story, better than most, and still not make that anthology or get that novel accepted. It’s literally not you, it’s them. Rejection is like bad weather. You can’t avoid it, and occasionally, when an agent or publisher is superb at telling you why they’re passing, you can even grow from it. 

For example, I’ve had agents tell me that my writing is great, but the genre I chose just isn’t selling. Some publishers let me know they’re just tiring of first-person narratives, even if the manuscript is seamless. These bits of commentary remind a storyteller that there is progress, but today is just isn’t the day. Even the common This just doesn’t work for us reply given by many publishers is an indicator to how subjective the industry is. Your work could fit perfectly with other distributer.

The second wish is that a writer grows with their work. All too often, starting authors try to perfect one topic, one idea, one concept, and drive it into the ground. This is a great method for starting out. You can’t be a good writer until your work speaks for itself and focusing on a horror genre or type of dialogue is the perfect way of getting your name out there. As you grow though, and as you master more writing tools, it’s vital to challenge your work. Go out of your comfort zone, write new types of stories and learn to write in first, second and third person perspective. Most importantly, challenge how you look at everything that you write about. 

Long ago when animals could talk, I was an overworked writer living in downtown Chicago with barely a penny to spare. My characters were gritty. My scenery was destitute. My point of view leaned on a survivor’s demeanor. As I grew, advanced my career and had a family, I became happier. I started to understand that not everything needs to bleed noir. You can have genuinely kind characters. You could build honest scenes instead of glum gutters. You could tell a story that makes the reader think about the merits of life, love and everything in between. Challenge your writing in order to broaden your perspective and challenge your perspective in order to improve your writing.  

Finally, never lose your swagger. It’s easy to be confident in a character, plot or manuscript for a short while, but the gods cursed writers to question everything, including themselves. Doubt tethers itself to artists before dropping its anchor in the ocean. Most writers don’t last more than three years before throwing their work in the air and going back to their normal lives. Whether it’s bravado, confidence or just an understanding that you have stories that demand to be told, a part of you has to find that thing that makes you a special writer and run with it. 

Just remember, confidence is the ability to meet life’s hurdles and know that you’ll succeed. An author, someone who typically works alone, gets all the pains of being alone, but none of the encouragement that other careers provide. An author must be self motivating. If they can learn to continue to believe in their work, even when it’s not paying the bills, even when it’s getting dumped on by editors or isn’t meeting personal expectations, they will succeed.

So the next time you’re digging in your backyard and find a rare lamp with a genie’s initials, think about what you will wish for. Success comes with time and dedication. The struggle is part of the process. Still, there’s three major elements that can help you become a master of writing in that span. They are the foundation for anyone who aspires to create greatness in their work. Why not work on making those wishes come true?

book nominations

Two great pieces of news. First, “A Dead End Job”(future work) was a finalist for Speculative Literature Foundation’s 2019 Diverse Writers Award. Second, “Consumed” has been nominated for the H.W.A. 2019 Bram Stoker Award. Pretty cool.

A Speculative Literature Foundation juror had this to say about “A Dead End Job”…

This reads like a neo-noir mixed with a hefty dose of dark humor, and I’m loving it. The story grabbed me initially, and I liked the personification of Death and the little, nerdy details that make the author (and the characters) genuine. There is a strong hook here, and will grab the right reader, and the positioning is unique.”

“The Bard and the King: The Art of Not Selling Out”

(Quick Read: 4 minutes)

There once was a bard and king that decided to trade places. The bard wanted a royal audience to help make him the most celebrated artist in the kingdom. The king yearned for freedom, and dreamed of strolling freely through the plebeian lands. So the pair traded cap and crown, lute and scepter, then went on their way. It took less than twenty-four hours, followed by three magical texts and two Uber carriages to return everything to normal. Both the king and bard decided that this was the dumbest idea ever, and agreed to never talk about it again. 

Whether your’e a painter, performer or poet, chances are that if you’re trying to make a living off of your art, you’re struggling to find balance. You’re probably trying to find balance in the time spent on building your royal audience. You’re likely trying to find balance in creating new works. Most importantly, you’re most certainly trying to find balance in the inner recesses of your conscience, struggling to decide whether or not your betraying your craft for profit.  

In the art community, you talk to, well…artists. I’ve spoken to photographers, woodworkers and writers. Their thoughts on balance are always the same. Sometimes, I feel more like a sales person than an (insert craft here). I’m a total sellout. So why do creative minds feel like sellouts? Often, it’s because modest Indy Artists don’t have well-heeled sponsors to handle the business end while they focus on their trade. So, they end up becoming the marketer, salesperson and visionary. Needless to say, that’s a tall order that makes most artists to feel icky. So what do they do? They follow their principles and stick to creating, hoping their work will speak for itself. Authors Neil Gaiman and Daniel Handler joked about the idea during a Q&A recently.

Gaiman laughed, “Don Marquis once said that having poetry published was like throwing flower petals over the Grand Canyon and waiting for the boom.” 

Handler added, “I’ve heard it (writing) was like wetting yourself in dark pants – you get a feeling, but no one notices.” 

While it’s in jest, the sentiment is clear. If you’re a budding artist, it’s time to get to work, and being a businessperson is just part of it. You can’t afford to draw lines in the sand. The catch to not selling out is drawing soft borders. Set goals and decide how often you’re going to market weekly. Make time for creating new projects, and understand the first hurdle is often the worst. I’ve added a list of links at the bottom that might help you the process, from reasons why you aren’t selling art to techniques that’ll help you deal with the stress of being an artist. 

No one wants to be a sellout. We’d all like a royal court to instantly give us patrons. We don’t want to be salespeople. We want to be artists. The truth of it is though, that if you’re doing it right, you’ll likely need to be a little of both. It’s the best shot of living happily ever after. 

https://www.artworkarchive.com/blog/5-big-reasons-why-your-art-isn-t-selling

https://www.artsy.net/article/artsy-editorial-artists-share-rituals-dealing-stress

Author interview: Henry Anderson

Oh the magic of books. What would life be without them? More importantly, where would we be without their authors? We take for granted all of the dreamed up stories on our bookshelves and iPads. We forget about all of the work, love and struggles that goes into each word. 

Today on the Justin Alcala blog, I’m excited to interview Solstice Publishing author, Henry Anderson.  Henry Anderson is a former news reporter who has written for national UK newspapers. He spent time as a farmhand in Australia before working in publishing and journalism. His current novels, “Cape Misfortune” and “The Mouth” are fantastic tales available on amazon. But before you pick them up, let’s learn a little bit about the man behind the stories. Let’s learn about the talented Henry Anderson. 

Thanks for joining us Henry. I wanted to start out by asking about the great journeys you’ve taken to get where you are. What literary pilgrimages have you gone on?

I suppose in the old days pilgrimages involved seeing sacred relics like a piece of a saint’s finger. It made things seem much more real. Similarly an artefact like a book or the page of a handwritten manuscript makes the writer seem less remote. Seeing Shakespeare’s birthplace was amazing. I was lucky enough to study at the same college at Oxford University as Oscar Wilde. I visited his grave in Paris. We used to wear green carnations in his honour on exam days.

What are common traps for aspiring writers?

Take a step back and think about whether other people will find your writing relevant or important! 

What is your writing Kryptonite?

Self-doubt is the enemy of most art. On a bad day the words look terrible.

If you could tell your younger writing self anything, what would it be?

You have the ability to get something published. Stop procrastinating and get on with it.

What was an early experience where you learned that language had power?

I wrote a play once and stood at the back of the audience on the nights it was performed. It was incredible to watch people being so involved with the story. 

What do you owe the real people upon whom you base your characters?

Nothing, unless you are writing autobiography. I suppose if you admire someone you might try and do justice to them. If you feel someone has mistreated you there is always the villain.

How many unpublished and half-finished books do you have?

I have a screenplay, several short stories and two unfinished novels kicking about. I hope to return to them one day.

What did you edit out of this book?”

Anything that didn’t advance the story. I find if I stray off the path, description or dialogue loses meaning or relevance.

Do you hide any secrets in your books that only a few people will find?

I suffer from a chronic illness called myalgic encephalomyelitis. There are a few hidden references to that. They don’t make any difference to the story but they add a bit of depth for me. I suppose the trick is not to be too self-indulgent.

What was your hardest scene to write?

There is a scene in the book where the characters are travelling astrally, out of the body, over the Pacific. That was difficult. It was the first part of the story that was out-and-out fantasy. There is a devil sitting on my shoulder that is scornful about straying from realism. It’s now one of my favourite scenes.

Henry, what advice do you have for unpublished writers?

The Internet has changed the literary landscape. There is less stigma about self-publishing now. I haven’t self-published yet but would do so in the future rather than hang on to a manuscript for years. You have to roll with the punches and move on.

Henry, thanks so much for joining us on the blog. You can learn more about Henry on his website. All links are provided below. And please be sure to pick up Henry’s latest novel, “Cape Misfortune” available on amazon. 

Cape Misfortune

“Welcome to beautiful Cape Misfortune.  Come for the rugged coastline and unspoiled beaches. Stay for the quaint customs and friendly welcome.”

Just don’t ask about the people who are going missing.

https://www.amazon.com/Henry-Anderson/e/B01JAS49AO?ref=dbs_p_ebk_r00_abau_000000

Henry Anderson

https://henryandersonbooks.com

Solstice Publishing Contracts “The devil in the wide city” by justin Alcala

It’s official, @Solsticepublish and I will be teaming up to bring “The Devil in the Wide City” back to the pages. Editors are already busy proof reading so that Ned can prowl the streets of Chicago once more. I am beyond excited. #newbooks#readerslife

When Ned, a fallen angel who’s as suave as he is brainy, accidentally starts the Great Chicago Fire during an assignment, he all but gives up on ever visiting Earth again- that is until his replacement goes missing, and Ned gets a chance at redemption.
 

Crimson Street Magazine Contracts Short Horror Story “It Dances Now” By Justin Alcala

When Cecil Gibbs’s mind shatters during the American Civil War, he becomes a battlefield horror. The man slips through the shadows, carving the wounded like art as the war’s first serial killer. However, once word of Cecil’s atrocities hits the ears of Union command, they send in a Pinkerton by the name of Oliver Lamb to investigate. Through his perilous tracking of Cecil, Oliver learns that Cecil might not be alone. Witnesses have glimpsed a shadowy figure dancing along Cecil’s side, whispering instructions to the broken surgeon as he continues his onslaught. 

“It Dances Now” is a short horror story contracted by Crimson Street Magazine. It hit shelves in late summer of 2019. 

http://www.crimsonstreets.com

Forged by Fire: An Editor’s Guide

The truth can be tough, especially in writing. Authors aspire to tell a tale. They gather the courage to put it on paper. They present it to friends and family, receiving a roborant surge of encouragement that emboldens them to pitch query letters.Then finally, a publishing contract is signed and the editing begins. 

The editor, donned in all black complete with cape and eyepatch, sits down to look over the manuscript. The boots they tuck under their desk are worn from crushing dreams. They open up the writer’s story, ready to pounce. On cue, their sharp and evil eye spots an unnecessary comma, the use of then instead of than, and the misspelling of the word, accommodate. The editor clicks their Track Changes option, and the onslaught begins.

Weeks later, the writer receives their manuscript back, marked with enough blood red font to illustrate the Battle of the Bulge graphic novel. Each comment causes the writer to scoff, shout and tremble. Before long, the writer has reworked their story so much that they’re huddled under a blanket in the corner, frozen on page fifty’s complete rewrite of the narrative’s abrupt pace change.

But occasionally, editors don’t just rip apart a manuscript for the sake of their malevolent thirst for pain. Instead, they’re trying to improve the writer’s work. The editor, in their tenure, has learned how a book’s composition works, and asks for mutual trust when developing the manuscript. It’s through constructive criticism, tough questions and needed changes that a writer’s work truly becomes the story it deserves. The strongest steel is forged by the fires of hell.

Letting your writer’s guard down can be tough when it comes to the editing faze. Most self-deprecation authors have already put themselves through the gauntlet. They’ve trudged through drafts and shades of their story for months. By the time editing is abound, some people are emotionally drained. Just remember though that your first draft is not your final result. 

Forged by Fire Blog Pic

I hear a lot of stories about mean editors. There’s a difference between disrespect and critical thinking. If your editor is flashing shade, it might be time to reach out to your publisher. Before you do though, know this. The chances of a writer being oversensitive about their work are far greater than the possibility that the editor enjoys collecting the sentimental skulls of writers for their mantle. Try to accept the fact that you might be going through a phase of denial. Then and only then, can you and your editor merge your talents to truly create something wonderful. 

“Dim Fairy Tales”Contracted by AllThingsThatMatterPress

Umm…this is awesome. AllThingsThatMatterPress has officially contracted Dim Fairy Tales for publication. This will be my third novel, and second within the Plenty Dreadful Universe. I’m very proud to partner with AllThingsThatMatterPress, who has brought the world great books for over ten years. More to come!

https://www.allthingsthatmatterpress.com

https://twitter.com/ATTMPress