Category Archives: Books

As I Sit in the Hall: A Call for Honest Writing

As I Sit in the Hall: A Call for Honest Writing

It’s late. In a few hours, we’ll wake up and leave for the hospital. It scares my wife. It scares me too. Our son is due in the morning. 

There’s something about creation and death that keeps a person honest. My wife’s latest pregnancy framed a lot for me about my shortcomings, from my terse patience to my all too often bleak perspective of the world. At this moment though, it’s irrelevant. And yet, for as trivial as every issue in the world feels, a whisper tells me to mend my past to honor the future. It’s time to adjust my approach to everything I thought I once knew, including something that’s bothered me for a while… my writing. 

Writers are a funny sort. We begin our literary pilgrimage replicating our favorite authors. Everything starts as a photocopy. At some point though, writers reach a precipice and have to take a leap of faith. We need to bare our souls. It’s frightening to expose yourself in your works. It’s far safer to cloak yourself in the safety of familiar literary voices. Once you strip away that shield though, that’s when authors create the most brilliant, unadulterated works. 

We’re in the delivery room. There are complications. I’m asked to go in the hall while the anesthesiologist works to dull my wife’s pain. It’s quiet, sterile and bare. I want to be composed, but gravity has left my belly. I’m exposed, and it shows. Staff stare as they walk past, studying me like some car accident on the side of the road. 

I’m a strange guy. I laugh when I should cry. I think the house I grew up in was haunted. My dad died when I was a teenager and I never fully dealt with it. I pretend I’m an elf with my friends on weekends. I prefer Shelley to Austen. I’m sure there’s undiagnosed mental illnesses in my family. I don’t want this to bleed any of this onto the pages. Strange stories don’t get published. Weird people don’t sell books.

Now though, after all of this, I’m not so sure. Who we are, both at our strongest and weakest, aren’t blemishes. They’re merits. These little aspects of our lives transforms a story from good to great. Don’t believe me? I wouldn’t either. If I were reading this article a few days ago, I’d roll my eyes. All it takes though is a quick look on any bookshelf and soon you’re reminded.

Sylvia Plath, best known for The Bell Jar, wrote some of her most beautiful works under the weight of depression after her husband’s affair. She used this horrible event to create masterpieces. The battle ultimately caused her to commit suicide. To this day her poems and manuscripts are considered some of the most admired all over the world. 

Pulitzer Prize winner Colson Whitehead was inspired by a reoccurring dream he had about zombies when he wrote Zone One. The Princeton teacher’s early work was labeled as scholarly and a prominent voice against racism. So when he was compelled to write about undead, Whitehead was naturally reluctant. He ultimately followed his creative passion, and while there were skeptics, it remains one of his best-selling novels.  

The list goes on and on. F. Scott Fitzgerald wrote Tender Is the Night while repairing cars and caring for his schizophrenic wife. These hardships helped thread the creative yarns for much of each story’s conflict. Chuck Palahniuk’s award-winning manuscripts put readers in the front seat of self-destructive protagonists marginalized by society. These books are reflections of Palahniuk’s unearthed struggles with homosexuality and proletarianism. Life, death, joy, sadness — these struggles dance on the pages if writers let them. 

There’s a room of doctors surrounding us. My wife is pale. I see blood all over the resident’s rubber gloves. I clench her hand as she screams. I am holding onto the steering wheel with my teeth.     

I’m not saying that authors have to suffer from some debilitating disease or fight a great social war in order to write at their zenith. You just need to be honest. Trust me, I get it. It’s not easy. Often, it’s what makes us most human, most relatable, that we want to hide most. Try it though. Take your experiences and let them flow through characters, settings and worlds. I guarantee you that if you do, you’ll cultivate your greatest works yet. 

My wife is in tears. So am I. Dr. Titus beckons Mallory to push one last time. She does. The Earth stands still. Ronan Frederick Alcala is born. Doctors work on my wife as we embrace our weeping baby. I am standing with one foot on each of our planet’s poles.

I’m weird. I’m at peace with it. In fact, I kind of like it. Maybe I’ll write a story about a man with a toaster for a tail who’s trapped on a planet without fire. Maybe I’ll create a character with a time bomb in her head that sets off a strain of madness in order to hide a secret that could save the world. Maybe I’ll write an adventure about a man who takes his children on a great adventure to achieve their destiny, but instead fulfills his own.  

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Justin Alcala Writer’s Update

Thanks again for all the great support. The recent birth of Ronan has reminded me how storybook life can be. The good news, none of the excitement has halted writing production. Far from it. Below is a list of all the upcoming news for future works and events…

March 2020: I’ll be a guest interview on The Written World Podcast to discuss finding your voice in writing. Stream date to be announced shortly after recording.

April 2020: Running Wild Press will release their Running Wild Anthology of Stories, volume 4 in hard back and ebook. My short story, “A Blind and Terrible Thing” will be featured along with several other talented authors.

May 2020: The Hide & Seek anthology will feature my work, “The Dilemma of Old Furnaces” in their collection, in addition to being featured in the University of British Columbia’s cIRcle digital repository for UBC literary research.

June 2020: DLG Publishing plans to release my ebook short story, “A Forest Only Whispers” on amazon for kindle and kindle unlimited.

July 2020: Czykmate Productions presents their first Haunted MTL anthology, featuring “The Lantern Quietly Screams” along with several other haunting shorts on amazon and kindle. 

September 2020: BLK Dog Publishing projects the release of their Power Loss anthology, including my full length story, “It Snows Here.”

Fall 2020: I’m looking to have updates on my latest novel, “A Dead End Job” as well as publication details.

Winter 2020: I also am looking forward to announcing new details on my latest MG novel, “The Last Stop” for future markets.

“A Forest Only Whispers” to be released by DLG Publishing

Exciting news! DLG Publishing and I have just agreed to contract “A Forest Only Whispers” for e-book release. Future release date to be announced…

When Melissa, a widowed witch who’s as shy as she is brainy, looks to celebrate Mabon with her sisters, she doesn’t expect much more than a night of praise to forget her missing boyfriend, that is until the forest visitor comes and offers a chance at redemption.

            A Forest Only Whispers is a romantic witchcraft story about Melissa, a contemporary witch that lives with her mother and Nanny in a charming New England village. Years ago, her high school boyfriend, Rían, disappeared in the nearby woods, and since then Melissa has never been the same. Now a college student, Melissa spends time with her family, the O’Phelans, her coven sisters and best friend, Hellwise. While the story starts off with a simple family tradition of baking Nine Maidens Pie during the Autumn Equinox, the reader learns that Melissa is sneaking off to join her sisters in praise. As the plot continues, Melissa joins her modern day coven as they go into the legendary Limingdover Woods, where Rían disappeared. 

DLG Publishing

“The Dilemma of Old Furnaces” To be Added to University of British Columbia Archives

Delighted, ecstatic, thrilled- I can’t say it enough how happy I am to have a short story of mine, “The Dilemma of Old Furnaces,” published in “cIRcle,” a digital library for research, theses and dissertations at the University of British Columbia. Check out this future work and others at the link below.

https://www.justincalcala.com/theplentydreadfulseries

When Eden, a handicapped boy with a brain that’s as sharp as his insecurities, goes to his offbeat Grandmother Irena’s cottage one frigid winter morning, he begrudgingly thinks back to all the tall tales she once told him about fairies and monsters. However, as revisits her old home, Eden looks back on all the adventures the pair used to enjoy, and wonders if he’s being too hard on his strange but loving Grandmother Irena. Then a dragon tries to eat Grandmother Irena’s cat, and the only one that can stop it is Eden. 

Support the ArTs: It’s a David Versus Goliath Thing

Well, it’s a bummer to have to share this, but for those of you that aren’t in the know, amazon rules the world. You pay to play, and those with the most money, connections and marketing often somehow mysteriously make it to the top of all amazon’s author lists. Those who speak Pig Latin would say, “isthay uckssay orfay uddingbay authorsyay.” As a mid-career author, I not only feel the pain, but talk to a lot of other talented writers who do as well. So, we reach out to you, the wonderful reader. The person who spends their few pennies on making our wonderful works come to life by enjoying our little stories. Thank you.

Now I ask one other favor. Please, instead of checking out a mainstream book this month, instead, buy a budding author’s work. Let me tell you, I’ve made it a personal quest to do the same (a sort of put your money where your mouth mission) and I’ve been so surprised by how little attention some of these great books have received. Many of them are just as good as the market giants if not better. So, along with the shameless promotion for my recently released books, I’m also adding some recent reads that have blown me away. All of them are from incipient writers who need your help to take down the amazon Goliath by buying their books and leaving reviews where ever you can. 

Justin Alcala Recent Releases:

Scarlet Leaf Review (Article): “Urban Fantasy: The Modern Fairy Tale”

https://www.scarletleafreview.com/short-stories15/category/justin-alcala

Unfading Daydream Anthology, Issue 9: “Time Will Tell”

Castabout Literature Anthology, October 2019: “The Lantern Quietly Screams”

All Things That Matter Publishing: “Dim Fairy Tales”

Other Great Authors

Tonja Drecker, Young Adult Supernatural Novel: “Music Boxes”

Jeannie Sharpe, Faith and Romance Novel: The Baker’s Husband: A Second Chances Book

Edward M. Erdelac, Historical Scifi Series Continuance: Merkabah Rider: Have Glyphs Will Travel

halloween short stories that will scare your pants off!

Looking for a frightening short story? It’s been a busy October, but I’m overjoyed to be featured in these scary story publications just in time for Halloween. Please help support all of the great authors by picking up some of the following books/magazines and leaving a review. 

Castabout October Magazine: “The Lantern Quietly Screams” by Justin Alcala

Hard Copy: https://www.amazon.com/dp/1702629465/ref=sr_1_2?keywords=castabout+literature+October&qid=1572270678&sr=8-2

E-Magazine: https://www.amazon.com/Castabout-Literature-October-Nathan-Dantoin-ebook/dp/B07ZLLH63J/ref=sr_1_1?keywords=castabout+literature+October&qid=1572270678&sr=8-1

Drunken Pen Writing Podcast & Literature: “A Blind and Terrible Thing” by Justin Alcala

E-Release: https://drunkenpenwriting.com/2019/10/26/a-blind-and-terrible-thing/3/

Inlandia Journal: “Time Will Tell” by Justin Alcala

E-Release: https://inlandiajournal.com/justin-alcala/

book nominations

Two great pieces of news. First, “A Dead End Job”(future work) was a finalist for Speculative Literature Foundation’s 2019 Diverse Writers Award. Second, “Consumed” has been nominated for the H.W.A. 2019 Bram Stoker Award. Pretty cool.

A Speculative Literature Foundation juror had this to say about “A Dead End Job”…

This reads like a neo-noir mixed with a hefty dose of dark humor, and I’m loving it. The story grabbed me initially, and I liked the personification of Death and the little, nerdy details that make the author (and the characters) genuine. There is a strong hook here, and will grab the right reader, and the positioning is unique.”

Natural Twenty: Why Role Playing Leveled Up My Writing

Your hero enters the dungeon, exploring every twisting corridor for dangerous traps, valuable clues and endless treasure. Each corner of the crooked stone ceiling is covered in cobwebs. The walls seem to swell as if they’re breathing. Your hero holds up their torch, lighting the otherwise dark path as they approach the main doorway of the mad wizard’s lab. Written in ancient runes are the words “Office, Keep Out.” The hero grabs the doorknob, takes one last deep breath, then pushes forward, sword raised as they rush inside. To the hero’s horror, the study is empty except for a single desk. On top of the workspace, a laptop glows an eerie white. It appears the evil wizard had been working on something. As the hero approaches, they see that Microsoft Word has been opened. Upon its first lines reads a message. Chapter 1: The Hero’s Demise. 

Oh, role-playing, what a weird and wacky world. Technically, role-playing has been around since man can communicate, but in contemporary terms, the world of tabletop role-playing is less than fifty years old. For non-nerds, tabletop role-playing is when you get together with a few friend to create characters that help tell a story in an imaginary world. In most circumstances, participants describe their characters’ actions through speech while a designated person known as “The Game Master” describes what happens in this world based off of the player’s choices. But, what if I told you that tabletop role-playing wasn’t just for fun, but it could also sharpen your writing? What if I told you that playing an imaginary game is just what most authors need to realize the tools within them that can tell a great story.

I started role-playing when I was eleven. My best friend, John Mecha, introduced me to a little game called Dungeons and Dragons by bringing over a hand-me-down Monster Manual he’d received from his neighbor. He carefully explained the rules. There were funny shaped dice, guidelines and confusing processes that were hard for a sixth grader to understand. Once he helped me out with the first hump though, I was hooked. We created these wondrous protagonists that banded together to battle horrific villains for a winner takes all plot to save a mystical realm. Oh, I can still smell the mildew on the old pages now. 

We played all night, and planned future sleepovers where our elves, dwarves and mortal knights would clash again with the ancient warlock and his army of orcs. This went on for years, gradually transforming into a weekly occurrence with dozens of our friends. Eventually, I took over as the Game Master, and the role-playing games expanded to different worlds like the Sci-Fi setting of Shadowrun, the macabre thrill of Vampire: The Masquerade and the epic space fantasy of Star Wars. Still, when we weren’t huddled around a dining room table, life went on. While many of our friends came and went, our core group always managed to stick together, through high school and college. 

Then one day in a tiny university classroom I decided, Hey, I’m going to be a writer. Almost overnight, I changed my major to English with a concentration in Creative Writing, and went to work. I studied under some of the smartest professors I’d ever met, taking down every vital note they could teach me about being a great writer. I devoured the lessons of greek mythology, learned Chicago Manual style page formatting and focused on the essentials of creating seamless dialogue. By the time I decided to write my first book chapter, I was certain that I could pack everything I’d learned into one book. Well, guess what? My first book was a flop, and it only took one editor to tell me so. I was trying way too hard and it just didn’t come together the way that was enjoyable to readers. So what did I do? I went back to the drawing board. 

This time, I promised myself to relax and have fun. I focused on the story, putting the tricks of the trade on the back burner. I created characters that I’d like to play if the novel were a game. I built a world that would give me the creeps if a game master described it to me. I built plot twists that would blow my role-playing buddies minds if we were rolling dice in their basement. In essence, I wrote a novel version of a role-playing game, and guess what? Eight months after completing it, a publisher reached out to me and said that they wanted to make it a book. 

You see, for the last twelve years, I’d been developing the tools that I needed for a good book simply by role-playing. I figured out how to create well-developed characters that my friends would love. I cultivated techniques for story arc that would make the perfect adventure. I learned the axiomatics for keeping audiences interested. The only thing that I really needed to learn in college was the expectations of the literary world, which was mostly basic grammar and formatting. Everything else had been assembled just by having fun through tabletop role-playing. 

Writers, I’m not saying you have to go out and pick up hundreds of dollars in gaming books. I’m not even saying that you have to join a tabletop campaign, though I highly recommend it. Ultimately, what I’m trying to tell you is that if you’re a writer that’s burning to write a book, chances are that you already have something hidden in you that’s already the perfect tool for telling great stories. Once you realize what that is, then it’s all a matter of complementing it with the rules of writing rudimentary English. And that story will be a critical hit. 

“The Bard and the King: The Art of Not Selling Out”

(Quick Read: 4 minutes)

There once was a bard and king that decided to trade places. The bard wanted a royal audience to help make him the most celebrated artist in the kingdom. The king yearned for freedom, and dreamed of strolling freely through the plebeian lands. So the pair traded cap and crown, lute and scepter, then went on their way. It took less than twenty-four hours, followed by three magical texts and two Uber carriages to return everything to normal. Both the king and bard decided that this was the dumbest idea ever, and agreed to never talk about it again. 

Whether your’e a painter, performer or poet, chances are that if you’re trying to make a living off of your art, you’re struggling to find balance. You’re probably trying to find balance in the time spent on building your royal audience. You’re likely trying to find balance in creating new works. Most importantly, you’re most certainly trying to find balance in the inner recesses of your conscience, struggling to decide whether or not your betraying your craft for profit.  

In the art community, you talk to, well…artists. I’ve spoken to photographers, woodworkers and writers. Their thoughts on balance are always the same. Sometimes, I feel more like a sales person than an (insert craft here). I’m a total sellout. So why do creative minds feel like sellouts? Often, it’s because modest Indy Artists don’t have well-heeled sponsors to handle the business end while they focus on their trade. So, they end up becoming the marketer, salesperson and visionary. Needless to say, that’s a tall order that makes most artists to feel icky. So what do they do? They follow their principles and stick to creating, hoping their work will speak for itself. Authors Neil Gaiman and Daniel Handler joked about the idea during a Q&A recently.

Gaiman laughed, “Don Marquis once said that having poetry published was like throwing flower petals over the Grand Canyon and waiting for the boom.” 

Handler added, “I’ve heard it (writing) was like wetting yourself in dark pants – you get a feeling, but no one notices.” 

While it’s in jest, the sentiment is clear. If you’re a budding artist, it’s time to get to work, and being a businessperson is just part of it. You can’t afford to draw lines in the sand. The catch to not selling out is drawing soft borders. Set goals and decide how often you’re going to market weekly. Make time for creating new projects, and understand the first hurdle is often the worst. I’ve added a list of links at the bottom that might help you the process, from reasons why you aren’t selling art to techniques that’ll help you deal with the stress of being an artist. 

No one wants to be a sellout. We’d all like a royal court to instantly give us patrons. We don’t want to be salespeople. We want to be artists. The truth of it is though, that if you’re doing it right, you’ll likely need to be a little of both. It’s the best shot of living happily ever after. 

https://www.artworkarchive.com/blog/5-big-reasons-why-your-art-isn-t-selling

https://www.artsy.net/article/artsy-editorial-artists-share-rituals-dealing-stress