I give you 💀A DEAD END JOB 📖 Join Ned the undead hitman as he interns for Death. If you love absurdist fiction, urban fantasy or sarcastically fun books, this is the one for you. Find out why Publisher’s Weekly named it “Best Book of the Week” and why Speculative Fiction Foundation made it one of its top picks. Get it on Amazon, Barnes & Noble, Kobo Books or wherever great books are sold! ! !
Death needs a vacation. Badly. But there’s a catch: There are people who cheat the system, always falling through the cracks and not dying like they’re supposed to. Who’s going to take care of them while Death’s sipping on sangria?
The answer is simple: Death needs an intern, and it doesn’t take a rocket scientist to realize that one prospect, Buck Palasinksia-a bankrupt hitman with a roleplaying addiction-might have what it takes. While scoping out his next target, Buck gets drilled in the forehead by a bullet and falls right into Death’s lap.
If they shove him back into his body, he’ll have a few weeks to prove that he has what it takes to be Death’s right-hand.
All he has to do is take out Public Enemy No. 1, John Dillinger, and quit smoking.
“Lilith, my oldest work-friend since… well, friends became a thing. Unmentionables weren’t around when dinosaurs and other eat-poop-then-die creatures were on Earth. It’s only when sentience became all the rage that God cut off her finger and gave it to me as Lilith, divine retribution for anyone bold enough to manipulate the cosmic work schedule. Since then, Lilith has, and always will be, the most dangerous weapon in existence. While I used her special holy abracadabra to transform Lilith into a scythe, she adjusts to the user’s character in order to be the best possible work tool. So if you want to be my next intern, and you’re comfortable getting my dry-cleaning, let’s first see what’s in that mushy pink wetware between your ears. It’s a sorting hat sort of thing, only with irremediable, world ending consequences.” -Death
Big WOW! Publisher’s Weekly just named “A DEAD END JOB” BEST BOOKS this week along w/ a generous review. I couldn’t be more honored. Check out the link in my bio and don’t forget to preorder your copy.
Book Reviewers: Get an early e-copy of A DEAD END JOB before it hits shelves October 6th. Just drop a message to be the first to read this hilarious urban fantasy book following Buck, the lovable Chicago Hitman, as he interns for the Grim Reaper.
“What a lame day to die. It was Friday, possibly the best time of the week for any seventh grader, it was ruined. People should die on Mondays. That sounds right.”
-Morrigan, The Last Stop
Morrigan’s family needs out of the city. So they move to suburbia where her special needs brother, Asher, is closer to his treatments. Life in a little town though isn’t what it’s cracked up to be and soon Morrigan grows tired of discourteous classmates, quiet streets and strange neighbors. What’s worse, she and her tag along brother are the last ones dropped off every day on the school bus, dragging out her drab existence. The none day a new bus arrives and Morrigan’s life gets deader than she could have ever imagined.
There’s never been stranger urban fantasy than with “A Dead End Job” presented by Parliament House Press. Buck was just a lowlife Hitman trying to make his way through this miserable world when the gun was flipped on him. Now he’s interning for the Grim Reaper in an attempt to dodge eternal damnation. His new job entails taking out “Unmentionables,” those who cheat death. The only problem? When you know how to dodge your final demise it’s usually because you have a few tricks up your sleeve. Poor Buck. PREORDER “A DEAD END JOB” on #amazonbooks #barnesandnoble and #kobobooks or wherever great books are sold.
Well, there’s always a silver lining to any adversity, and 2020 was no different. While it’s globally unanimous that 2020 was like skidding down a razor bladed playground slide, there were some benefits. Beyond the zenith of all joys, the birth of my son, Ronan, I could also get a lot of writing projects ready for their 2021 debut. So, strap on your helmet, squeeze into your short shorts, and grease those rollerblades, because we’re skating through 2021 with conviction. Here’s a look at the Justin Alcala schedule for the upcoming year.
Final edits for “A Dead End Job” were put together by Parliament House Press and myself
Production Meetings began for the future graphic novel, “Apollyon” with talented producers/creators James Rock and Alex Gomez
“Taming of the Cthulhu” 1st proof reaches 30,000 words.
“A Dead End Job” cover artist completes project for acceptance
“A Dead End Job” cover reveal on February 25th
“Magic of Motivational Quotes” by Wingless Dreamer publishing is released, featuring a Justin Alcala excerpt
Cover reveal for the new anthology, “Citizen Survivors: The Red Book” released by BLK DOG Publishing. This historical fiction piece about the world had Nazi Germany been victorious features a short story by Justin Alcala titled “The Entrepreneur”
Proofreading for the Middle Grade book, “The Last Stop” begins. This young reader horror story follows seventh grader, Morrigan, and her little brother, Asher, as they explore the frightful history of their new town, and the connection with their eerie new bus driver.
“Taming of the Cthulhu” manuscript should reach the halfway point for creation
Two new short stories will begin for Halloween distribution
“Citizen Survivors: The Red Book” hits shelves
“The Last Stop” will sent off to agents and publishers
Short Horror Stories “A Horse for Us All” and “Buried in the Rain” hit anthology and literary magazine shelves
Finishing touches for the first proof of “Taming of the Cthulhu” complete and sent out to editors
“The Last Stop” proposed to agents and publishers
“Apollyon” finishes proofreads and illustrators begin early sketches
Early reviewers get their “looking-balls” on “A Dead End Job”
Interviews on podcasts, radio stations and literary journals for the premiere of “A Dead End Job”
Early announcement about “The Last Stop” publication
Short Horror Story Projects Cut Off for Submission
We will take part in the “2021 Charity Drive for the Extra Life for Kids” program
We will start the countdown for “A Dead End Job” with great giveaways, including e-books, t-shirts and other great
“The Last Stop” continued publication announcements
“Taming of the Cthulhu” hits submission phase
“A Dead End Job” preorders completed
“A Dead End Job” released (Woo hoo!). Parliament House PRess will release physical copies and ebooks starting October 5th, 2021.
Podcast interviews to continue in promotion of Parliament House Press in conjunction with “A Dead End Job”
Halloween Short Stories hit publication
“The Last Stop” begins editorial phase with new publisher
“Taming of the Cthulhu” early publication announcements
Justin Alcala short story and novel contest results announced
Christmas Giveaways for “A Dead End Job” gifted for select readers
You hear it all the time. Goodbye 2020. What a year. Can’t wait for 2021. We yearn to move on. We ache for a better tomorrow. And in the literary world, the uncertainty from the last twelve months drives a similar desire.
According to Guardian journalist, Alex Clark, 2020 was a mixed year for the publishing life. While bookshops closed, literary festivals cancelled and hardback sales shrunk, digital books surged in the face of the pandemic. Lockdowns and work-from-home environments gave readers more time for books. Racism, COVID-19 and a divided nation drove authors to their keyboards, congesting the market. As a result, many established writers, such as novelist and screenwriter David Nicholls, are bowing out, focusing on other projects.
But is stepping down the answer? Is it time for career writers to walk away in the face of a flooded environment? Unless you’re well established, even the best rising stars in the literary world will face a noisy market. Getting your voice heard and your book in front of an audience will be more difficult than ever. Should budding authors, columnists and screenwriters retire?
The answer is a simple sentence word. No. Writers run a parallel struggle with the rest of the world. Confusion, mistrust and disorientation fog the future. There are new hurdles. But one thing is for certain in these turbulent times. They will change. In the words of C.S. Lewis, “There are far better things ahead than any we leave behind.”
The fingerprint of the literary world will never be the same. Digital books, who were already on the rise, have clinched a large part of reading retail. Bookstores and libraries will need to change the way they do business, focusing on alternative ways to sell physical copies. Top tier publishers will have to be more selective on how they sift through thousands of authors, and independent writers will need to get creative with getting books in readers’ hands. What doesn’t change though is a writer’s desire to create.
Storytellers are storytellers. Journalists need to report. Artists can’t cease the call for expression. Fresh stories, no matter what the temperature of the market, need writing. An author shouldn’t ever compromise their work because of business complications. Once the book is ready, then one can worry about market strategies, sales profits, and whether they need to find other ways to help establish income. It won’t be easy, but there’s no wisdom in trying to take the fire from a dragon.
We may want to move on from the past. The future may be confusing. But in the literary world, one thing is for certain. Readers need books. There will always be a desire to read insightful columns, inspiring stories, and other forms of written art. Authors are going to need to think of novel ways to get their work into readers’ hands, but it can never deny the call to write.
Open up any author’s web browser and you’ll find one heck of a history. Everything from how to kill someone with a pool noodle to how many hours would it take to ride a bicycle to Mars might show up. What you’ll also find are a dozen literary pages complete with market research and suggestive trends. That’s because, like it or not, authors do not understand what readers want. They can cater to a preferred group, take shots in the dark or be all lone wolf about it, but the truth stands on its own. Writers are at a loss to global reading habits.
In writers’ defense, not even the experts seem to know. According to Global English Editing’s The Ultimate Guide to Global Reading Habits,publishers and agents seem to be at a loss on how to follow data. For starters, the top three most literate countries, Finland, Norway and Iceland only account for approximately eleven million combined people. Even if every citizen was a reader, they’d only make up around twelve percent of ebook readers alone. Meanwhile, although twenty-six percent of Vietnam’s population don’t identify as regular readers, Asia is by far one of the top continents for book sales. In America, seventy-four percent of people have read a book in the last twelve months, yet twenty-seven percent of American adults haven’t read this year. Confused, yet?
In genres, the leader, Romance/Erotica, makes up 1.44 billion dollars per year, followed by Crime/Mystery at 728.2 million. Religious Inspiration, Science Fiction/Fantasy and Horror finish the top five genres with a combined 1.389 billion dollars. Yet, the global yearly earnings for books is near 20 billion dollars. So, what’s selling that makes up the other eighty percent of books? How does an author find out where their audience is? And why is all of the information so conflicting?
The truth of the matter is that data is hard to rope up. For literary producers, guessing what audiences want is more alchemy than science. They follow trends rather than raw data. And trends are an ever undulating affair, like waves in an upside-down ocean. Now, before you knock book creators for being hacks that chase people rather than art, know that true artists, the lone wolves that write what they want, only sell on average two-hundred-and-fifty copies within their lifetime. That’s not nearly enough to keep any business flowing. Like it or not, there’s something to be said for understanding what’s in demand.
So, what does this mean for writers? It means that there’s really no way to understand what a reader wants. Yes, there are trends that authors can try to chase, but they’re fickle and ever changing. Yes, you can look at last year’s sales and try to make predictions for the upcoming quarters, but the numbers are constantly contradicting themselves. No agent, publisher or researcher can guarantee an author will earn enough money to feed their family, let alone become a New York Best Seller.
The only element the author can control is writing well. Write that perfect piece, and when you’re done, then try to take the best shot at how best to publish your work. Some of the best writers have created perfection, only to realize that their work needs to be placed into a drawer temporarily or adjusted to fit the times. Things like global pandemics, flooded markets and overdone genres all have a way of affecting the success of your latest work.
So, if you’re writing the next great novel, and are drowning in angst because you don’t know how to sell it, let’s remember these simple steps. First, finish your story. Once you have a strong piece of work, you can decide what’s trending, who might be the best representation to support your work, and anything else that changes how you’ll present it to the world. The future is not ours to see, but having a strong piece of writing is the most vital step in reading your reader.
Calling all writers! Check out “Add an Eye” editing and proofreading for all of your extremely affordable writing needs.
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