I just received my copy. Do you have yours?
Horror lovers, mystery nerds, supernatural geeks, get your copy via the links below.
I just received my copy. Do you have yours?
Horror lovers, mystery nerds, supernatural geeks, get your copy via the links below.
Revolution, transformation, reform- for some, these words can sound sharp and lethal. But why? Well, for starters, their definition suggests change- perhaps unwanted depending on your circle. The words also insinuate that what you once depended on is no more. Nevertheless, like it or not, change is in the air.
Now I’m not talking about a change in government, religion or anything else so grand. I’m talking about a change in publishing. It’s a reworking of procedure. It’s a change in how manuscripts are published, books are reviewed, and new authors become popular. While classic publishers might tell you that the latest makeover is the beginning of the end, other, more modern thinkers would argue that its just the adjustment that the book world needs.
For years, the publishing world went something like this- a writer labors over a story. They then pitch it to an agent. If an agent agrees to represent them, they propose the manuscript to a publisher. If the agent is talented enough, the publisher agrees to publish it, and depending on the book’s popularity, eventually a newspaper or radio show might review it, helping the book earn additional readers. The cycle repeated itself for decades, and only the strongest survived.
With modern technology, and a little something called the “internet”, things have changed. Authors can now submit their work to certain publishers without representation, or elect to publish it themselves. If a pitched publisher decides they like the manuscript, they contract the work, with an emphasis on sales instead of advances. Bloggers and other readers then write reviews for the work on social media sites and if enough followers and fans enjoy the book, an author can expect a better chance at publishing their next manuscript.
Where once a writer was forced to depend on the system, the ball is now in their court. It’s no longer about crossing your fingers as much as it is effort and determination. If you want to publish a book, you obviously need to still be a great writer (some would argue even more so now), but you can also take hold of the business side if you’d like. And while many classical publishers would argue these new methods have helped destroy the publishing world, the final numbers don’t favor their mentality.
Take for example the latest column in Yahoo News’s The Exchange. According to columnist, Aaron Pressman, while certain publishers and bookstores are on the ropes, the sales of ebooks are at an all time high. Take for example a consumer report that studied electronic book sales throughout the last decade. While ebooks started as a 68 million dollar industry, in 2012, it improved to an all time high of 3 billion dollars- the most that the publishing market has ever seen. In addition, this study is only focusing on published ebooks. It does not include the countless self-published works that consumer reports have difficulty tracking.
Now take in to consideration that in 2012, hard and electronic copies made a combined total of over15 billion dollars. This sales milestone is not only record breaking, but also a forecast in the rising numbers we can expect to see in the future. When added up, you quickly realize that while the procedures for producing books may have changed, the publishing world is by no means at an end. So why the bad blood?
Well, for every action, this also an equal or greater reaction, and the latest practices are no different. Publishers fear the change in publishing procedures gives way to monopolies like Amazon cornering the market. Publishers also fear that they’ll be held prisoner by ebook sales, which eventually may have more demand, but will sell for much cheaper. Most importantly, small publishers, self-publishing, and online book websites take the power out of the publisher’s hands. Major publishers can no longer dictate the rules of what is and isn’t a good book, and what they’d like to push onto the market. It gives a bit more power, perhaps only temporarily, back to the writer and reader.
Now to add the final piece…my half-witted opinion. Paradoxically, though I might sound like I’m siding with the change in atmosphere, I’m not. I’ve always been a firm believer in hybrid solutions, and the recent publishing change is no different. Do I think that the classic method of publishing is outdated? Of course. Do I want the domination of the book market to simply change hands to companies like Amazon on Kobo? Heck no. The truth of it is though, while I’d personally love for mid sized publishers to regain power and start signing authors due to talent and promise, I know that there’s a lot of work in order to get it to that point. In the end, what I’m actually trying to say is that like it or not, the publishing world is changing.
So, this Fifth of November, when some of us celebrate Guy Fawkes Night, a commemoration that celebrates the failed attempt to blow up British Parliament, why not ask yourself if change is really so bad? In the publishing world, it seems to be inevitable. Let’s hope that with a little bit of care and effort, readers and writers alike can take back the publishing world. If we can embrace the change, then we can use it in order to make sure that publication is no longer an activity that one is powerless to control. It can be change that we use to our advantage- a change that we remember.
I typically don’t do book reviews, but this was a must…
100 Sideways Miles is a creative plot about an epileptic boy’s teenage life as he struggles to find out who he really is in a world that seems to be prewritten. In typical Andrew Smith fashion, the characters are well developed, and as the book progresses, you become lost in the relationship between the main character, Finn, and his best friend Cade. Throughout the story, Finn has to fight through hurdles such as his condition’s seizures, the conflicting, but charming relationship with his father, and his sheltered existence. Now add the fact that he is a teenage boy and must deal with constant sexual impulses, raw emotion and his imminent future, and you get “100 Sideways Miles.”
The storyline is simple and captivating. Finn, the ever-introspective protagonist that can charm you with his raw innocence, is struggling to understand who he really is, especially once he meets Julia. Julia, the Chicago transplant (Woohoo Windy City!), is an enchanting, but mysterious young woman who comes into Finn’s life at a very puzzling time. As the pair’s relationship grows, Finn begins to understand that much like him, Julia is a wounded and confused. Later, once an uncontrollable wedge is placed between Julia and Finn, the boy becomes confused and inconsolable. However, luckily with the help of his hilarious friend Cade, Finn teeters on the edge of breaking out from his shielded life as a boy with epilepsy. Finally, during a road trip, Finn stumbles along a powerful incident that helps him decide what is actually important in this thing we call life.
I enjoyed “100 Sideways Miles” the way I feel generations before me enjoyed Jack Kerouac’s “On the Road.” I have to honestly disagree with anyone who criticizes that this is a book about nothing, as that’s the farthest thing from the truth. The book’s pace, much like a teenage boy’s life, is slow moving, but intense. Every page is packed with young ambition and insight, which was thoroughly refreshing. If you’re looking for a great book to relax over with coffee or a beer (“These are a few of my favorite things”), then this is the book for you. Once gain, well-done Mr. Smith.
I’m not sure about the intelligence of Amazon’s suggestion-engine, but it what cool to see the below e-mail this morning (see attached picture). On that note, if you haven’t already, I’d greatly appreciate it if you went to my book on amazon and reviewed it if possible. This will be my only shameless blog-post about the subject, but unfortunately, amazon reviews tend to have strong influence in our modern day publishing world.
Ah, October, the best month in Chicago by far. Why might you ask? Well, that’s easy. Not only does it bring forth the most beautiful of seasons, autumn, and not only is it the month that my wonderful wife and I were married, but for thirty-one days we prepare ourselves for one of the best holidays in the world, Halloween. Every year, just about the time when the scary decorations are put on store shelves, a certain spark erupts in my belly, waking me from my slumber like some revenant crawling out of its grave. Sugared thoughts of frightening costumes, spooky lawn decorations and haunted attractions stir in my mind as I watch ghost shows, drink Octoberfest brews, and reread the classics such as Poe, Stoker and Shelley.
It’s also a peak time for me as an author. It’s as if my fingers are starved to devour the keyboard in order to spin tales that make blood curdle and spines tingle. Countless monsters are born, and even more victims slain across the pages of my works during this wonderful season. Yet, for as much as I could spend countless hours talking about my relationship with the holiday, babbling about the fire that Halloween lights under my cauldron, the excitement of it all also begs another question, one more so related to writing. What is it that makes writers tick?
Some writers are just always on. For them it’s a gift. They have this endless well of ideas and inspiration that allows them to constantly create at anytime, anywhere. For the rest of us however, creativity takes energy, stimulation and motivation. Even the most prolific writers of all time had habits that helped them create their best works. For T.S. Elliot, not only did he sneak away to a quiet porter’s lodge to write, but he also did so while wearing green ghoulish makeup that made him feel like a cadaver. For Faulkner, he wrote his bet works only after a glass or six of whiskey- the good stuff mind you. And as for H.P. Lovecraft, the man of weird fiction could only pen during the darkest hours of night in order to invent his Cthulhu mythos or legends of the Necronomicon.
So what is it that makes you excited to write? Perhaps it’s being somewhere special or reading a book that encouraged you to write in the first place? Being a writer, be it poetry, journalism, fiction, nonfiction, blogging, can be extremely challenging. What takes most people seconds to read may have cost you hours to write, and in those hours, you probably had to drive yourself to stay motivated. Sometimes it’s easy, but often, we must dig down deep and sip from that inspirational well that keeps us excited to create.
Recently, I read an article that had surefire ways to keep a writer motivated. In the column, there were tricks like creating tight deadlines, removing distractions, and forcing yourself to pen even when you were exhausted. While I agreed with what the author was trying to express, their suggestions sounded more like punishment than inspiration. Writers shouldn’t have to physically or mentally abuse themselves in order to create a great story, poem or blog- it’s quite the opposite.
Ultimately, all that we have to do is remember that writing is different for everyone. Simply know yourself, know what keeps you ticking, and use it to your advantage. Anything else is subjective.
So writers, the next time you are having trouble finishing a story, completing a blog or finding that last line of a poem that would really make your work feel complete, remember what makes you want to write. Go back and read your favorite book, visit that place that makes you feel alive, or in my case, listen to Halloween music in the middle of April. I think that you’ll find it truly works. Because so long as you find what makes you tick and continue to feed it, you’ll also find that you’re often writing your best works.
FUN FOR WRITER’S (Contests and Grants)
NEW VISIONS AWARD
NO ENTRY FEE.
STORIES OF RESILIENCE CONTEST
NO ENTRY FEE
THE FEMINIST WIRE GRANT
$10 ENTRY FEE. The winner will receive publication in The Feminist Wire and $200. The 1st runner up will receive publication in The Feminist Wire and $100. Deadline October 1, 2014. Submit up to 3 poems (no more than a total of 5 pages).
Here are some other great conceptual designs created for the upcoming Victorian Thriller,”Consumed.”
Let us know what you think!?
Detective Sergeant John Davis
The protagonist’s unlikely partner, and perhaps most questionable support character.
Marcos “The Great Mago” Biachelli
An ex-criminal, and Nathan’s friend, “The Great Mago” helps Nathan with his research into the supernatural.
Chief Inspector Donald Swanson
One of the only historically “real” characters in the novel, Swanson is not only the protagonist’s direct supervisor, but one of the investigators of the Ripper Case in real life.
Timothy Dewhurst, also known as “The Soldier” is an army veteran and obsessive gambler. His lifestyle is less than ideal, but he tries to be a goodman nonetheless.
Perhaps one of the most frightening characters, Vasile is a witch hunter from Romania, who along with his sister, has traveled to London in order to follow their latest mark. Is he righteous or foul? Nathan can’t be sure.