It’s been a fantastic literary year for this nerd (amidst the real life horror). I want thank all of the great supporters including readers, interviewers and fellow bloggers. I can not, nor want to, do this without you. On that note, take a look at all the recent titles from 2020. The year has been frightening, but hopefully the books will merely give you a fictional scare.
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When you’re an author, you dream of signing w/ a publisher like The Parliament House. They have knowledgable editors, an intuitive market team and a creative process for getting your book the attention it deserves. That’s why I am excited to say that my absurdists-urban fantasy novel, “A Dead End Job,” has been deleted by this great publishing team to hit the pages between 2021-22. Stay tuned for more electrifying details about Buck, an ex-hitman interning for the Grim Reaper, soon.
“A Dead End Job” was initially proofread by the powerful “Add an Eye” editing team. If you’re working on that first great novel or need someone to edit your written presentation, look no further. I used Add an Eye services for “A Dead End Job,” and it helped make me a finalist for the Speculative Fiction Writer’s Award in 2019. Since then, I’ve never looked back. Try them today, and see where their skilled eye can help your writing. https://addaneye.com
You deserve a free story! Check out my short work, “The Dilemma of Old Furnaces” on Please See Me Magazine’s “Heroes” issue. The online magazine’s mission is to elevate the voices and stories of vulnerable populations, and those who care for them. At the heart of their publication is the cultivation of meaningful patient–provider partnerships in the spirit of wellness. So please, sit back and enjoy. This one is for our medical heroes, the sick but brave patients, and any other readers who just need a retreat into their imagination.
Who doesn’t love to be scared? Check out my latest short ghost story, “A Lantern Quietly Screams” in the 101 Proof Horror anthology by Czykmate Productions/Haunted MTL. There’s so many talented authors in this book of horror, it’s scary.
“A Lantern Quietly Screams”
When four history students researching the Underground Railroad can’t find records on the old network near the Blue Ridge Mountains, they put out an ad in the paper. Luckily, an archivist, and descendent of a former slave-gone-guide, agrees to drive up to tell her grandmother’s tale. However, as the group waits along the base of the dark mountain, ghostly lanter lights flicker in the wood line. Will their source arrive before anything happens? Only time will tell.
Consumed faced off against fifty other BLKDOG Publishing titles to win Next Best in the 2020 Book of the Year Awards, losing by a mere three-percent for first place. It was a lot of fun, and thank you to everyone for the support.
Check out my appearance on Marsha Cook’s “Michigan Avenue Media” podcast where we talk shop about writing during Covid, genres and my upcoming short story, A Forest Only Whispers.”
Finally, writers, if you’re looking for a talented set of eyes to edit your work, look no further. I’ve used Add an Eye Editorial Services for the last year, and have had four short stories published, plus one award earned, because of it. Add an Eye knows what they’re talking about and can clean up any manuscript, report or document flawlessly. Rates are extremely fair and the staff is the friendliest on the planet. Adds eye.com
It pains me to ask, but my book “Consumed” is neck-and-neck in the final two for BLKDOG’s Book of the Year award. I hate to beg, but would you be so kind as to take seven seconds to vote CONSUMED as the Winner on yourTwitter account? Every vote matters in this clash of horns! No worries if you can’t.
Just click the below link, scroll down to the survey section, and vote CONSUMED. Thank you so much.
Open up any author’s web browser and you’ll find one heck of a history. Everything from how to kill someone with a pool noodle to how many hours would it take to ride a bicycle to Mars might show up. What you’ll also find are a dozen literary pages complete with market research and suggestive trends. That’s because, like it or not, authors do not understand what readers want. They can cater to a preferred group, take shots in the dark or be all lone wolf about it, but the truth stands on its own. Writers are at a loss to global reading habits.
In writers’ defense, not even the experts seem to know. According to Global English Editing’s The Ultimate Guide to Global Reading Habits,publishers and agents seem to be at a loss on how to follow data. For starters, the top three most literate countries, Finland, Norway and Iceland only account for approximately eleven million combined people. Even if every citizen was a reader, they’d only make up around twelve percent of ebook readers alone. Meanwhile, although twenty-six percent of Vietnam’s population don’t identify as regular readers, Asia is by far one of the top continents for book sales. In America, seventy-four percent of people have read a book in the last twelve months, yet twenty-seven percent of American adults haven’t read this year. Confused, yet?
In genres, the leader, Romance/Erotica, makes up 1.44 billion dollars per year, followed by Crime/Mystery at 728.2 million. Religious Inspiration, Science Fiction/Fantasy and Horror finish the top five genres with a combined 1.389 billion dollars. Yet, the global yearly earnings for books is near 20 billion dollars. So, what’s selling that makes up the other eighty percent of books? How does an author find out where their audience is? And why is all of the information so conflicting?
The truth of the matter is that data is hard to rope up. For literary producers, guessing what audiences want is more alchemy than science. They follow trends rather than raw data. And trends are an ever undulating affair, like waves in an upside-down ocean. Now, before you knock book creators for being hacks that chase people rather than art, know that true artists, the lone wolves that write what they want, only sell on average two-hundred-and-fifty copies within their lifetime. That’s not nearly enough to keep any business flowing. Like it or not, there’s something to be said for understanding what’s in demand.
So, what does this mean for writers? It means that there’s really no way to understand what a reader wants. Yes, there are trends that authors can try to chase, but they’re fickle and ever changing. Yes, you can look at last year’s sales and try to make predictions for the upcoming quarters, but the numbers are constantly contradicting themselves. No agent, publisher or researcher can guarantee an author will earn enough money to feed their family, let alone become a New York Best Seller.
The only element the author can control is writing well. Write that perfect piece, and when you’re done, then try to take the best shot at how best to publish your work. Some of the best writers have created perfection, only to realize that their work needs to be placed into a drawer temporarily or adjusted to fit the times. Things like global pandemics, flooded markets and overdone genres all have a way of affecting the success of your latest work.
So, if you’re writing the next great novel, and are drowning in angst because you don’t know how to sell it, let’s remember these simple steps. First, finish your story. Once you have a strong piece of work, you can decide what’s trending, who might be the best representation to support your work, and anything else that changes how you’ll present it to the world. The future is not ours to see, but having a strong piece of writing is the most vital step in reading your reader.
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