Category Archives: travel

Why Vampires Will Never Die

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The Monstrous Age, the Gothic Era, The Heroic Period- vampires have had many different roles in culture throughout the ages. They’ve been what scares us, what draws us and what aspires us to be. We fear their power, desire their immortality, and relate with their struggles. Yet, for as many hats as they’ve worn, one thing is for certain. The vampire is here to stay.

Throughout history, monsters have served as a coping mechanism for what terrifies people most. Vampires are no different. For the last millennium, these bloodsuckers have helped justify evil, disease and death. From the Chinese Jiangshi to the Hungarian Izcacus, no matter the culture, records indicate that people have always had a turbulent, but vital relationship with the vampire. But that would all change once pop culture embraced the vampire.

1897- Bram Stoker publishes his novel Dracula, in which an undead Count clashes with a young group of English protagonists. The intriguing story, told through diary entries, ship logs and other epistolary means, is an overnight success. Dracula’s popularity changes the creature. No longer does the vampire simply represent sin and death. Vampires are now linked with contemporary issues, which in the 1890’s included foreign distrust, mental health and sexual repression. While the vampire was still villainous by nature, the seed of transformation had been planted.

Nearly one hundred years later, writers and movie producers use the vampire for different reasons. Mainstream tensions linked to sexual inclination, racial discrimination and harsh corporate enterprise rear their ugly heads. This once again changes the vampire. While still deadly by nature, the vampire develops new symbolic traits related to pressing themes. The creature is now the epitome of seduction, manipulation and exploitation. The origin story also becomes a backbone, giving the creature a tragically unfortunate motive to kill. Audiences begin to sympathize with the monster, abetting in the creation of what we know today.

It’s 2015. Cue the glitter and acoustic guitar. Although the Internet becomes a major social outlet, it also has a way of isolating people worldwide. In addition, recovering economies force millions of college graduates and jobless workers to look elsewhere for employment. Depression in America, Canada and England are on the rise. What this world needs is a hero. Once again, the vampire transforms, changing from gruesome predator to misunderstood do-gooder. Story plots gravitate around a kindhearted mortal transformed by the damned, only to later defy their makers in order to protect the living from the dead.

But why is it that vampires won’t go away? Hundreds of other monsters similar in age and origin like barghests, banshees and genies, had similar early success in cultures. They were outlets in order to explain what people didn’t understand. As the years past however, these monsters slowly faded. So why did vampires outlast their competitors?

Well for starters, one has to look at the key ingredient to a good vampire tale. Vampires were once human. Unlike other monsters, humans can change into vampires. So, while we might fear them, we also fantasize about what it would be like to become one. Immortality, irresistible allure and supernatural powers- traditionally, these are the exchange for condemning one’s soul. Thus, while vampirism may be nightmarish, it also allows us romanticize about what we might do with our dark gifts if given the chance.

Secondly, vampires in all of their petty immortality, also represent what’s wrong with contemporary society. Yes, it’s the social predator’s duty to adapt to the times in order hunt their prey, keeping up to date with fads, culture and current affairs. This makes it easy for storytellers to sculpt vampires into the perfect modern-day metaphors. They’ve gone from plague spreaders during periods of disease to unruly deviants during phases of social reform. They are in essence, the ultimate plot devices.

Finally, and most importantly, vampires represent what we fear about ourselves. They are the monsters inside each of us. We use these creatures to work out our own angst, anxiety and desires. They’re tools in order for us to make sense of who we are. In essence, vampires are a form of introspection.

So there you have it. Our link to vampires is far greater than we ever imagined. They rationalize otherwise uncontrollable events, allow us to fantasize about who we’d like to be, keep us aware of society’s flaws and help us express what we fear most about ourselves. Though their roles may have changed throughout time, their purpose is always essential. And that’s why vampires will never die.

On the tracks

Justin Alcala, Author of “Consumed” and the upcoming “Plenty Dreadful Series”.

Check out Part 1, “The Devil in the Wide City” when it hits shelves October 2015. 

Get your copy of Consumed on Amazon: http://www.amazon.com/Consumed-Justin/dp/1937365581/ref=sr_1_1?ie=UTF8&qid=1440553280&sr=8-1&keywords=Consumed+justin+alcala

Check Out “The Devil in the Wide City” on Goodreads: https://www.goodreads.com/book/show/22433711-the-devil-in-the-wide-city

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Zharmae Publishing Presents: “Consumed” and “The Devil in the Wide City”

“Regardless, for that night, and every night thereafter, I’d make sure to fasten each lock, secure each window, and sleep with my revolver nearby. This lad was a harbinger, but for whom, I did not know.”

-Detective Sergeant Nathaniel Brannick

1f1c2-consumed_cover_final

Available at Amazon: http://www.amazon.com/Consumed-Justin/dp/1937365581/ref=sr_1_1?ie=UTF8&qid=1439237542&sr=8-1&keywords=Consumed+Justin+Alcala

Coming in October 2015…

“Believe it or not, most of hell has never actually experienced Earth first hand, and assume that it’s all one big Full House episode. Demons love David Coulier.”

-Ned, Fallen Angel

dev

Check it out on Goodreads: https://www.goodreads.com/book/show/22433711-the-devil-in-the-wide-city

Zharmae Publishing Presents: “Consumed” and “The Devil in the Wide City”

“Regardless, for that night, and every night thereafter, I’d make sure to fasten each lock, secure each window, and sleep with my revolver nearby. This lad was a harbinger, but for whom, I did not know.”

-Detective Sergeant Nathaniel Brannick

1f1c2-consumed_cover_final

Available at Amazon: http://www.amazon.com/Consumed-Justin/dp/1937365581/ref=sr_1_1?ie=UTF8&qid=1439237542&sr=8-1&keywords=Consumed+Justin+Alcala

Coming in October 2015…

“Believe it or not, most of hell has never actually experienced Earth first hand, and assume that it’s all one big Full House episode. Demons love David Coulier.”

-Ned, Fallen Angel

dev

Check it out on Goodreads: https://www.goodreads.com/book/show/22433711-the-devil-in-the-wide-city

Pay Attention to Details

Are you pitching your manuscript? If so, then you already know that there are dozens of different guidelines. Some publishers/agents require the first fifteen pages of your book while others ask for a detailed synopsis.  Regardless of demands, if there’s one thing that I highly recommend to all you poets, journalists or novelists out there, it’s follow the guidelines flawlessly. Doing so instantly gives your work the consideration it deserves.

Six years ago, I pitched my first manuscript. Agentless, I went fishing on dozens of publisher’s site, sending my full work to be reviewed. The only problem was, I ignored each and every publisher’s guidelines. After the first three rejection letters, I asked myself, “What am I doing wrong?” Luckily, a friend of mine, and well established writer, was kind enough to guide me in the right direction. He gently popped my bubble by reminding me that every part of a submission is an assessment. You wouldn’t go into an interview and ignore the employer’s questions would you? So why do it with your submission?

Sure enough, once I got with the program, I received four letters of interest. My book wasn’t any better or worse than any other, but I followed direction. I’ve read editor and agent blogs that moan about queries all the time. While I admit they can be tough on writers, it’s still good to err on the side of caution. If you gamble on guidelines, you’re not just risking your manuscript, you’re risking future submissions.

John Wooden once said, “It’s the little details that are vital. Little things make big things happen.” If you’re uncertain about query requests, there are hundreds of online aids that can help. Just make sure that you’re  meticulousness in your submission. It’s all about paying attention to detail, a creative pitch and a great story. Do that, and the rest will fall into place.

“Consumed” Giveaway

Have a Goodreads account? Then stay tuned for the “Consumed” giveaway starting on July 3rd. Five lucky winners will get a paperback copy sent to their homes so long as they…

A) Love horror-fantasy

B) Are unwilling to press charges due to nightmares

C) Be into vampires, and willing to donate blood.

More to come at the link below come July 3rd.

https://www.goodreads.com/author/show/7862799.Justin_Alcala

Travel…It’s Worth It

Several things happen to someone who writes and travels. Firstly, the stress of deadlines, editing and marketing strategies has a way of evaporating like spilled lemonade on a summer sidewalk. Next, new faces and landscapes give birth to a plethora of unrestrained story ideas. Finally, the world is put into perspective- not just the literary world, but life in general. So in light of this, I’m calling out to all my writing companions and asking them to do whatever it takes in order to plan what I had put off for so long…traveling.

When I began writing Consumed, I took advantage of an opportunity to research the Transylvania region. I’d already conducted countless hours of legwork in the States, but nothing prepared me for the insight I’d gain when I finally arrived in Romania. Elements like culture and atmosphere are something that just can’t be described in books or guides. It’s a “boots on the ground” sort of experience. So it goes without saying that when I recently traveled to Ireland for my current project, Dim Fairy Tales (the second installment in the Plenty Dreadful series), the same held true.

The people of Ireland are welcoming, but not overwhelming. The history of the Emerald Isle is far richer than what’s expressed in social studies classes, and perhaps most importantly, stories in Ireland are cherished by its people beyond anything else. Just go to any coffee shop, lounge or pub and listen to the colorful array of accounts and tall tales. It’s  a type of specialized oratory and written folklore that you can’t find anywhere.

But this is not a story about my travels. No, this is a story about your travels. If you’re a writer, I beg you, explore. I know it’s easier said than done, but I beseech you to do what ever you can in order to journey to new towns, countries and continents. Save those pennies and cut those coupons because travel can help inspire, broaden horizons and give piece of mind.

Johann Wolfgang Goethe was one of the most talented German writers of the 18th and 19th century. His early writings were considered entertaining, but short of groundbreaking. It wasn’t until 1786, when he traveled through the Italian Peninsula that Goethe would find his voice. Not just his voice mind you, but according to his journals, his philosophical outlook on life. So much so that in 1816, his published work, “Italian Journey” took center stage in the literary world. None of it would have been possible without travel.

So writers, I implore you, please find a way to travel. Is it expensive? Often, yes. Do you have the time? Probably not. But, will it help in your writing? I’ll guarantee it.

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(My hike on Diamond Hill in Ireland. Epicness at its lamest.)