Tag Archives: spooky

Discover the Terrifying Truth Behind the Living Scarecrow: Justin Alcala’s Short Horror Story Unveiled on Nocturnal Transmissions Podcast!

Horror fiction has an incredible ability to captivate, especially with voices like Justin Alcala emerging in the field. His latest short autumn story, titled “Speak Ill of the Dead,” is now available on Nocturnal Transmissions, a podcast celebrated for its chilling interpretations of spine-tingling tales.

This story introduces us to a pair of daring adventurers from North Carolina who embark on a harrowing quest to uncover the dark secrets behind a mysterious scarecrow. Are you ready to dive into Alcala’s chilling imagination? Prepare yourself for a thrilling journey into the depths of fear!

Why You Should Tune In

For fans of horror, “Speak Ill of the Dead” is a must-listen! Whether you’re seeking a frightening tale to accompany a dark night or want a captivating podcast that redefines horror, Alcala’s work promises to deliver.

WHAT A NIGHTMARE! Justin Alcala’s “Thrice in One Sitting” available FREE October 30th

Spooktober continues with another freaky-geeky “FREE” short story by yours truly. That’s right, I have yet another spooky tale for you just in time for Halloween. Check out “Thrice in One Sitting” on October 30th, along with twelve other horror pieces presented by the Academy of the Heart and Mind’s online publishing distribution. The Academy of the Heart and Mind is dedicated to writers and their craft. But Justin, can you give me a sneak-peak for your story? Of course!

Faith contains both candor and falsehoods, and is cruel to those unable to interpret the distinction. That’s what the New England witch-hunter, Silas Fear-The-Lord Doddridge, observes when returning to the superstitious village of Pontybridge. Old-world beliefs contributed to false claims in the past, but the puzzling death of a newlywed woman tests to be the devil’s work. The villagers smell a witch in their midsts, and their prime culprit in her aloof husband, Tadhg, whom Silas must get answers from if he wishes payment for his holy services. The only catch, Tadhg claims there’s something living in the woods, and it’s as extraordinary as it is probable. 

Thrice in One Sitting is a 2,356 word short horror story which takes place during the seventeenth-century Witch Hunt. It’s a terrifying tale that warns of the dangers of wielding authority in any faith, especially when its true dangers surface. It has a subtle style of horror similar to M. R. James or Robert Aickman, emphasizing the unknown more than guts and gore. 

Check out Thrice in One Sitting, and twelve other terrifying tales, October 30th at…

“The Lantern Quietly Screams” Wins Award

“The Lantern Quietly Screams” won third in the fantastic town of Saugus, Massachusetts’s 2020 Ghost Story Contest. There were thousands of entries from amazing authors, and it is beyond cool that “The Lantern Quietly Screams” terrified the judges.
When four history students researching the Underground Railroad can’t find records on the old network near the Blue Ridge Mountains, they put out an ad in the paper. Luckily, an archivist, and descendent of a former slave-gone-guide ,agrees to drive up to tell her grandmother’s tale. However, as the group waits along the base of the dark mountain, ghostly lantern lights flicker in the wood line. Luckily, their source arrives before anything else eerie can happen, or so they think. Interested in checking out “The Lantern Quietly Screams”? You can find the short story in the Castabout Literature: October 2019 Edition:https://www.amazon.com/gp/product/1702629465/ref=dbs_a_def_rwt_bibl_vppi_i2
or in the 101 Proof Horror Anthology:https://www.amazon.com/gp/product/1989225306/ref=dbs_a_def_rwt_bibl_vppi_i7
And please be sure to leave your review. Every review helps all the authors involved in keeping you horrified.

Hotdogs, Marshmallows and Dread

Ah, summer, a time when we leave the safety of our cozy homes to brave the great outdoors. We trek near and far to hike, fish and be eaten alive by mosquitos. Then, at night, when our muscles ache, we fill our bellies with hotdogs and marshmallows as we cozy up by the campfire. There’s an anticipation that grows as the moon paints the woods pearl. It’s a readiness so salient, that even the trees inch closer in order to listen. That’s right, it’s time for you to tell a scary campfire tale. 

Now that you have everyone’s attention, it’s imperative that you tell the most captivating tale you can muster. It needs to be intoxicating, frightening and use the raw power of your surroundings to horrify listeners’ bone. While some storytellers like to shoot from the hip, a good raconteur knows that a little preparation can help shake your audience to the core. So, before you gather around the fire this summer, let’s go over the fundamentals of what makes the perfect campfire tale. Follow these suggestions and at the end of your eerie story, the audience will be far too reluctant to sleep, but much too terrified to ask for an encore. 

So first thing is first, let’s find a medium that matches the landscape. This is dealer’s choice. You can research local lore or make up your own. The most important detail is to find a subject that makes sense for your strongest ally, the wild backdrop. Don’t challenge the listener’s imagination with stretches. If you’re having a backyard outing, you may want to stay away from Bigfoot. If you’re camping in the desert, the ghoul living in an apartment basement may not be as scary as the witch of the barren wasteland. Your real life setting is your best friend, and will build tension before the story even starts.

Next, let’s figure out an ending before we build the framework. Unlike traditional stories, a campfire tale’s success lives and dies with the last five sentences. It needs to be something that causes the listener (or reader) to walk away thinking, “Oh man, I could be next.” The scariest campfire tales make the listener part of your story, a continuance long after the words have left your mouth. So, as a rule of thumb, build this first and never let the conclusion make people feel safe. You want the antagonist to still be lurking, the curse to still exist or the survivors to have lost something dear. This is a scary story, your mission is horror. 

Now that we’ve decided that we’ll end with the axe wielding convict still on the loose, we can take it from the top and begin our narrative arc. The opening should draw people in with local color. Listeners will be on the defensive, so let the scenery twist and betray them in order to crack their shells. Each line needs to leave your listeners looking over their shoulder or curling closer together. Some ways to build trust while suffocating your campers’ security includes lines that make them feel as if you, the storyteller, are on their side. Here’s a few examples…

“I read about this before we came here. Feel free to look it up later tonight.”

“I almost didn’t want to tell this story because it’s going to make me scared too, but according to the placard I read when we first entered the park, this place has a dark past.”

See what these lines do? They take a doubter and start breaking down their defenses. If you can add real lore or historic details to the story, all the better. Just don’t let them do any research until they zip up their tent. You can let them play fact checker after the fear has already took hold. 

We also need protagonists. It helps if your characters are relatable. Are you chaperoning a girl scout outing? Well, isn’t that funny because the last troupe, Pack 113, came to these woods for their wilderness badge. Try to lean away from characters that are too in depth. You don’t want interest to satellite around the support characters as much as their conflict. As a rule of thumb, give each support character a one or two sentence description of who they are. If you’re narrating, it doesn’t hurt to give people distinct voices, accents or phrases in order to portray them later.  

Now that we decided on a backdrop that closely matches your own, built a strong opening, have believable characters and know the ending, it’s time for rising action. Typically, you don’t want the route to be direct. Anticipation and mystery are your mediums. Let the dread leak in a drop at a time. First, the characters hear a few snapping twigs or a coyote yelp. The proof of something frightening or supernatural should slowly gather into the story arc until the weight can’t hold up. Fear of the unknown is the most potent terror there is. That’s when you strike with the climax. 

Some of the best climaxes and falling actions are those that leave the audience guessing. It’s a powerful thing to let the listeners come to their own conclusions. After all, no one knows how to scare a person better than themselves. You’re just coloring their imaginations in with creepy details. Fading to black or announcing that no one knows what happened to the victims is ideal. However, if you want to describe the exact details, I’d advise not clinging to the gory as much as the story. Did the last survivors almost make it or did the ghost change the protagonist in a way that’s nearly ineffable? Whatever you decide, be sure that it bridges to the ending you decide on in the beginning. If your last lines aren’t moving, the story may sink. Listeners need to walk away disturbed.  

Finally, leave them while they want you to stay. Once you’ve delivered those final lines, don’t indulge the audience with curious questions. They’re trying to reestablish security. Instead, a creepy smirk or telling them you’ll elaborate in the morning should they still be curious will suffice. Try to hand the torch to someone else once you’re done or time it to where it’s time to go to bed. You want your words to reverberate, being told in the back of their minds a hundred more times before they fall asleep.

And there you have it. These suggestions are meant to be tools, invitations to build a terrifying campfire tale. Ultimately, you’re the best measuring tool to deliver a great scare. Remember, even if you mess up a detail or your gathering aren’t convinced, you’ve still done a fantastic job making the backyard bonfire or backpacking trip even better. After all, we make up scary campfire tales in order to remind ourselves of how wondrous nature really can be, from its beauty to its horror. 

Have suggestions? I’d love to hear them. Please feel free to share your techniques in order to tell the perfect campfire tale.